Posts Tagged ‘Gucci Mane’

But He Never Had A Drinking Problem!

October 9, 2010

Handled a shoe deal, drug problem and semi-graceful growth from handrail am to finesse pro and still looks like he’s 15, Dylan Rieder’s VBS quadrilogy paints him as a still-young man now on a mission — personally thought his “MF” part held up well enough as a sophomore come-down from the blockbusting done in the Transworld vid, but suppose this really only goes to show how far off my perceptions are from the front-line realities of action-sportoids such as Mark Oblow and others who have front row seats to eyeball melting impossibles*. The Gravis mini-movie didn’t strike me so much as anybody pinnacling but more like this kid gathering his strength, re-setting the bar for what may come next with a lot of moves that seemed sort of founded on the Heath Kirchart-sized gap in the AWS ranks (tall bar b/s tailslide, rooftop ollie, head-high hip frontside flip). The focus on power/altitude over technical-ness seems like a conscious choice that makes sense in terms of retrenching for the next five years of Dylan-dom, but when it comes to tying it all together what would’ve sweeted up the pot would’ve been a couple reminders that this is the kid who switch bigspin flipped that blue stairway after blazing through the bowls in “Time To Shine.”

That’s quibbling though and Dylan Rieder, with this Gravis video, has for the moment outstripped the trappings of his little shit days, his heart-throb cheekbones and personal dark period to win over even the tut-tuttin’est messageboarders, now roundly seen as having recorded one of the better video parts to be seen this year. More interesting is what he aims to do with his hard-won political capital — Barack Obama blew his on health care reform, Jamie Thomas resurrected the street grab, Peter Smolik cleared the table and built for himself an empire of waxed ledge combos. Dylan Rieder is a style guy though, both on-deck and off, and his tastes sometimes run toward the retro which maybe explains his apparent decision to use his platform as a starting point for reclaiming the once-rebellious “McSqueeb” hairstyle, used by young men in the late 80s/early 90s to help invent the Madonna and save mankind from robot-wrought apocalypse. This ‘blog site’ may settle for more switch bigspin flips and another angle of that impossible over the contest barrier.

*BTW, the one over the New York bench ought to jockey with Satva Leung’s maybe-maybe not flip in “Welcome To Hell” for all-time sleight of foot mirages

Stevie Williams: Feels Nothing For You, Enjoys Southern Rock

April 9, 2010


How do you like me now?

Beyond a masterful switch heelflipper and dodger of Ivory Spring as a youth in Philadelphia, Stevie Williams is an entrepreneur. Similar to business leaders including Howard Hughes, H. Ross Perot and Scrooge McDuck, William’s singular vision, expressed through cartoonish t-shirts and deadstock Reeboks, has made him by definition a man apart — different from the rest of us whose ventures are limited to the occasional sale of a gently used deck or running confused blog sites.

So it comes as little surprise to find that Stevie Williams’ odyssey into the skateboard business zone has left him feeling adrift, bereft of role models and disconnected from his fellow man. More interesting is that, possibly due to his taking up residence in Atlanta, he has found solace in southern-fried radio anthems. All three revelations are contained within the new Daewon TWS where he offers up these “Last Words” among others:

LAST Person You Looked Up To:
I don’t look up to people too much anymore.

LAST Time You Felt Empathy For Someone Else:
I don’t really feel empathetic no more.

LAST Song You Listened To:
“Closer” by Kings Of Leon.

Kings of Leon play southern and blues influenced songs that have caught on in the U.K. But owing to his new home in the seat of the peach-tree state and certified outsider status, you have to imagine that Stevie Williams eventually will (or maybe already has begun to) gravitate toward the brawny stadium-swagger of Toby Keith. A rough-around-the-edges maverick who plays by his own rules and isn’t afraid to show it, Keith and Williams are startlingly similar. According to a pretty long Wikipedia page, Toby Keith also found his calling at a young age, grew up on the outskirts of society* and is almost 50 (even though Stevie Williams is 30 he sometimes seems a lot older/wiser). Sample this Toby Keith lyric if you would.

It ain’t no thang, I already know how it feels
Same ol’ pain, a different deal
So if it looks like rain, I’m gonna let it rain
‘Cause I know , it ain’t no thang

Another Toby Keith song here:

The implications for the DGK video in my opinion are far-ranging and out of focus but worth pondering, at length, in darkened bars while being haunted by memories past. But as long as a man has a cold beer, a few companions and a healthy sense of self, it’s hard to keep him down. See below video clip for ultimate reference.

*Oklahoma FYI

One Woman’s Thoughts On Tilt Mode “Bonus Round”

August 23, 2009

woman_tv

“He makes a lot of dramatic faces when he lands”
“They have the weirdest songs on this video”
“Is he the midget from MTV?”
“When guys have big beards like that, do you have to shampoo them? It’s like having a bunch of pubic hairs on your face”
“He was eating Cheez-Its!”
“Is this video about guys skateboarding, or guys screwing around”
“This guy falls down a lot”
“That skateboard didn’t have any wheels? What?”
“What was that–it looked like he was puking some minty color?”
“Which one was that, wearing the Gucci shirt”
“Oh, they knocked over his drink, he looked like a homeless Santa Claus”
“What were all those things on his butt, gross”
“Are there synchronized skateboarding teams out there?”
“Well this guy is really hamming it up”
“Are you quoting me?”

Is Real the smartest skateboard company?

September 20, 2008


Bitch I might be

No Boondoggle, but what is: Real put on Davis Torgerson.


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