Posts Tagged ‘Mark Suciu’

Certain Presumptive Skaters Of The Year Could Benefit From Additional Pain, Frustration And Aging, Top Pros Say

December 6, 2013

election1

Assorted musings and murmurings on the SOTY race, as Thrasher ratchets the tension and unique page-views ever higher by announcing a short list.

Salman Agah: “I’m going with Greco. It’s my opinion that you shouldn’t even be eligible until you’re at least 30.”

Peter Hewitt: “So I’m looking at the contenders & here’s my opinion: Greco- if that was going to happen Guy would’ve won last year. Burman- Burly, but needs to suffer more. Ishod- again, he has much more to prove. Sandoval- I feel this guy has earned it the Thrasher way. Nyjah- so talented it could be a video game. Does he say Thrasher to me? Not really. Westgate- One of my favorites, bionic-man stuff. Raybourn- Also one of my faves but he must suffer more. Suciu- must suffer more. Burnquist- dimension X of skateboarding… Only one percent of skateboarders can comprehend. Provost, Walker, & Gravette must all suffer more. My picks are Tommy Sandoval & Brandon Westgate!”

Leo Romero: “First I would say Westgate, but he doesn’t care much for these shenanigans. So second would be Nyjah because he came out with multiple video parts for you guys that are fucking crazy. He seems like he really wants it. Also DC has spent quite a bit on advertising in the mag.”

Jeff Grosso: “Westgate is rad, but I vote for Mark Suciu. I like his East coast style and vibe. I’m a big fan of the varial heel flip and he’s got a pretty one! I like his simple, effortless, style. Also, one of his video parts I watched he skated to “junk bond trader” by Elliott Smith which is a beautiful song about art as commodity and the selling of ones soul. As an Elliott fan, I found his choice of music… Interesting? So, when I saw an interview with him in the mag, I was curious. I like what I read about the dude. He seems like a thoughtful, talented, bad ass, young skateboarder. No frills. Just style and shred! But, with a nod to the people he grew up influenced by. I don’t know. I just dig his style.”

Silas Baxter-Neal: “Ishod – skate rat ripping for himself not for a trophy. Skates EVERYTHING, and looks sick doing it. Still puts out video parts for the homies while filming for corpo vids. If Thrasher stands for real skateboarding then Ishod should be the SOTY. If you guys like handrails and gold medals and a shitty push then give it to Nyjah Bingy.”

Josh Kalis: “I have two answers. Two very different dudes for two very different reasons. One is based off a points system – Nyjah, and the other is based off being a pure skater who came through with video parts, coverage, etc. without stepping outside of the skate world – core mentality. For skateboarding – Suciu. Both deserve it, in my opinion, but if it was solely up to me I’d pick Suciu.”

Andrew Reynolds: “I think Ishod should get it because the amount of skateboarding he does – he has three video parts: Sabotage 3, Wair and Tear, and the Chronicles video. I think he won a contest,too. And he did it all without trying to get Skater of the Year.”

Peter Smolik: “It should be me! But on some real shit, Nyjah.”

1. Mark Suciu – “Cross Continental”

December 31, 2012

Mark Suciu seemed to lurk around every corner in 2012, roaming the map and riddling spots with very hard tricks before resurfacing every few weeks with yet another video clip, earning him favorable comparisons to Gucci Mane in his prime. In recent months Suciu has ripped downtown San Jose, Spain, the southern U.S., Philadelphia and most recently New York, finding a new way over the courthouse cliff en route to an Adidas paycheck. And this all came after setting off 2012 with a skateshop part that digs deep into a trove of well-worn spots to unearth some bar-lifting lines and certain yet-to-be-dones. Views can and will differ as to the tastefulness of frontside reverts out of backside noseblunts or frontside crooks, but Suciu proponents were handed piles of ammunition this year in favor of a rare talent that gets over without slavish retreads of coast-specific tricks on coast-specific spots, hands-off editing and (aside from a little wavy animation) no punchlines and no gimmicks when it comes to execution. Mark Suciu in the “Cross Continental” part shakes out a seemingly bottomless bag of tricks, including the little-seen switch frontside smith grind and an immaculate hardflip, and rolls below nighttime lights of skate capitals on both coasts as he composes a love letter to turn-of-the-century urban classics like “Photosynthesis” and “Ryde or Die Vol. 2” and possibly the first “EST.” It is rare that he passes up the chance to add a flip trick up a curb or a 180-out at the bottom of a bank, and he packs multiple variations on 360 flips and 360s into the same line, but it still doesn’t come off all egregious. I for sure watched this part more than any other one this year and maybe more than any other part in the last couple years, up there with Dylan Reider and Jake Donnelly.

Who Will Win The Great 2012 SOTY Race, Potentially The Final SOTY Determination For All Eternity, If The Ancient Mayans Are To Be Believed?

October 3, 2012

Fall officially is upon us and the crispening air is thick with rumor and innuendo as professional bros vie to acquire SOTY status in what could be humankind’s final trip around our sun, depending on whether or not you subscribe to certain apocalyptic theories. This site, which previously floated a bunk theory regarding Freddy Gall potentially being awarded a small golden figurine wearing a backward golden hat and short pants, is not so cocksure as to entirely rule out a galactic realignment racking our beloved magnetic poles on Dec. 21, upending convention and fermenting a cataclysm alongside several shortages of encased meats. There are some who say the recent projections of a 2013 bacon shortage may represent an early warning sign.

In keeping with this internet page’s longstanding tradition of a stiffened upper lip we nevertheless brush off certain galactic problems and consider probable front-runners for this year’s SOTY.

Justin Figueroa, alleged front-runner, has all of the stringy hair, yellowy teeth and poor hygiene choices that represent hallowed wishstones of the Thrasher lifestyle, and he has given generously of his volatile handrail riding unto Jake Phelps & co this year and those past — his 50-50 to ollie out over the steps in that Lizard King roadtrip series was some straight video game nonsense and expectations for his section in the (Thrasher exclusive, natch) upcoming Baker Boys production are riding high, particularly after he clear-cut much of the stockpile from his recent ad photo archive for the Shake Junt vid late last year.

Nyjah Huston has on offer a largish contest win in his Street League championship and a reality TV show-worthy redemption song narrative to sell, if Thrasher is buying, though you may prefer to believe their executives in the market for more unrated fare such as the XYZ video or the Menace “Epicly Later’d.” Cutting the dreads and ties to his dad-manager may have helped and Nyjah Huston no doubt pushes the big tricks, but his major video part moment was late 2011, and does Thrasher care about big-money contests as opposed to their own small-stakes, spot-specific ventures?

Vincent Alvarez seems in certain ways like he should be a readymade Thrasher success story, multidisciplined, not too beholden to fussy technical skating and traditionally clad in work pants. “Pretty Sweet” and the Skate Sauce vid represent a tall-pour rail drink elixir that ought to put him at least in the conversation. He’s not flown too far beneath the Thrasher radar, running the year’s first cover for Lakai’s KOTR win. One downside, he may not have enough tattoos.

David Gonzales is a young aggressor with boss moves, a Thrasher cover photo and the near-requisite web-exclusive video part complete with Judas Priest, copious black denim and various throw-up-the-horns poses. There’s no point denying the high-test handrails he gets on, even if he does some of the time wind up basically steering backside onto a previously frontsided obstacle with not a lot of other imagination at work. If I had a vote I’d have a hard time casting it for him, though his video part last month is real good and for sure the best thing yet he’s documented, but then again, I don’t.

Mark Suciu can be the sleeper submission, spending the past year-plus roving the countryside, oozing tricks and video footage as he ascends the sponsorship ranks. For those counting High Speed Productions-specific scoring he put his landmark Atlas shop section on Thrasher’s website, put his “Cityscape” part on Slap and as a Bay Area representative has toiled away not just at SF spots but also in and around lesser-seen urban San Jose. Since he’s legally still an amateur he may not have the needed gravitas to command the hot SOTY spotlight, but if this dude does not have a pro board in the works by year’s end something wrong and you can reasonably assume the galactic realignment is affecting the workflow on earth.

Ryan Decenzo comes off a little like a knuckle-dragging rail fighter in the Nyjah mode but with generally more thoughtful trick offerings, and this year has made some nominal Thrasher waves via his KOTR MVP turn and some choice photos here and there. Maybe not enough to win the big nod, but Jake Phelps has a well-publicized soft spot for Canadian burlies, and regardless it’s interesting to someone somewhere how the one on Darkstar at this point seems to have eclipsed the one on Plan B.

Cory Kennedy is our dark-horse pick, harboring a formidable head of steam in the way of sequences and the odd clip here and there over the last couple years, plus time logged in a King of the Road van and a prime year-end stage for deploying all his egregious footage bombs in the Girl/Choco video next month. The b/s tail kickflip b/s tail still haunts the mind. At this juncture Cory Kennedy’s a young pro with little but mind-boggling output on his resume, placing him in around the same chronological marker as Andrew Reynolds, Grant Taylor, Silas Baxter Neal or Brian Anderson when they won it, so he’s not too green.

Mark Suciu Pens “Photosythesis” Fan Fiction, Has Hudson News On Smash

January 17, 2012

What with the standalone physical-release full-length video production gradually scaling back to the more occasional “event” that they were up til the late 1990s, we’ve got some of these one-off web parts taking on a bigger profile and developing their own little hype cycles — the Dylan Rieder “Laterds” coinciding with his landmark statement of purpose for Gravis, Nyjah Huston’s biographical/career turning point as promotional peg for his Element clip last fall, Thrasher handing its website over to Plan B and Torrey Pudwill over the summer in the run-up to his midyear footage dump, and so on. Drama and promotion seem to be part of the effort to rise above the Youtue/Hellaclips/message-board footage din, which makes it notable in a different kind of a way when Mark Suciu and his Atlas store buddies show up and run the WWW table for a three-day weekend with very little fanfare or notice ahead of time.

It’s hard to overstate how good this part is but we’ll try here. Gone is the five-panel hat, but otherwise Mark Suciu and his collaborator Miguel Valle strip away the floppy hair, overwrought ledge combos and assorted other little kidisms from the already-good “Origin” section and double down on stuff like the rail ollie to backside lipslide on the block, and all those flip tricks atop the narrow curb. These dudes seem to work like a good musician/producer combo and are smart about how they put hard tricks in the frame here, like the backside noseblunt up against the wall or the backside tailslide pop-out at Pulaski Park in Washington DC which seems like the type of trick that’s been crying out to be done by somebody. No egregious slow-mo, or even any slow-mo. And some of these tricks and runs are way out of hand.

But past all that you get the feeling that this dude almost is working with a kind of plan. Jake Johnson talked a while back about messages. Not knowing a lot about what he was going for with this section, or Mark Suciu in general except that he comes out of the Bay Area and he’s a fan of vintage Pappalardo and he heeds advice from Brennan Conroy as to footage gathering, it lets you project or theorize a little bit as you oooohh/aaaahh through this footage for the eleventh time. A blurb in Transworld not long ago put him in Philadelphia on some for-the-fuck-of-it road trip that apparently netted the switch feeble grind and probably a lot of the other local stuff as well as the Occupy clip. Looking at the way he’s skating now and the places him and his friends choose to hit, you can put together some picture of a kid who’s getting a chance to put his own spin on a “Photosynthesis”/”Ryde or Die Vol. 1″/”Element World Tour”/”EST” — carving his initials into spots next to Anthony* Pappalardo, Josh Kalis, Fred Gall, Ricky Oyola, Tim O’Connor, Kevin Taylor, John Igei, etc.

People are out there talking about this part in the same fashion as PJ Ladd’s debut, and there’s one similarity as far as how the heaviness of the tricks and lines here** are balanced out by a general low-key approach. No costumes, the whole time you’re basically watching a dude in a t-shirt flipping his board down the street, neither him nor the dude with the camera tripping too much on the angle of the sun in the picture or a little blurry footage or a wayward backpack. Also the fakie b/s nosegrind shove-it in that last line gave this mid-90s torch-bearer goosebumps.

*Possibly my favorite Pappalardo photo of all-time, so it was awesome to see Mark Suciu flip the script at the same spot
**Did he seriously do all those tricks in SF on the same night..

A Blog Post Involving Fred Gall And The Antichrist That Is Only Tangentially Related To Lou Metal

November 1, 2010

A decade into its existence as the leaf/animal/aeroplane-inspired offshoot to the comparatively antiseptic Workshop sect, Habitat appears to finally have embraced the chaotic, cannibalistic nature of, erm, nature itself. Beneath the wet foliage and gentle acoustic guitar strums lurks a feral beast as likely to gnaw away its own leg as hop a bump-to-bar, a theme that Midwestern DNA zookeeper Joe Castrucci has chosen to explore through the composition of the team itself.

David Lee Roth, a noted man of the earth, has famously observed that Van Halen may not have rocked so hard/loudly were it not for persistent tensions between its song and dance man and Eddie VH. Castrucci has learned this secret too and now is exploiting the idea in an effort to produce compelling skate footage and reclaim market share from rivals Element and Organika. Recall the group sigh that emerged from the Lakai camp following the “Fully Flared” premiere, or the hedonistic, RV-powered excess of Osiris’s “The Storm” tour. But post-”Origin,” from the hallows of the Habitat camp there is a primal shriek, gnashing of teeth, maybe some rending of flesh:

Austyn Gillette:
Daryl got on basically because Stefan and I don’t want to talk about that situation. No one is getting harshed to get on anymore. It’s easy nowadays.

At any point during filming, did you get so frustrated watching Silas skate that you wanted to pull a Tanya Harding?
I don’t skate with Silas. I don’t get along with him too well. He’s bitter and I’m not bitter and we don’t get along together. We really don’t work well together and we’ve both accepted it.

Kerry Getz:
I didn’t know Austin and Silas are far from being BFFs.
There’s a lot going on over there. I don’t know; that’s some West Coast stuff, man. I’m so far out of all that stuff like who is fighting with who, who hates who, who is talking about who. I just stay on my side of the campfire and shut up. I just recently heard that Austyn and Daryl don’t like each other and I never knew that. Now you’re telling me Austyn and Silas don’t like each other. Someone has issues over there; just keep me out of it. It’s high school games.

Kerry Getz attained silverback status some time ago and is entitled to grumbling rights but it’s hard not to read some brinksmanship into AG’s commentary, even post-ESPN edit — he worked hard on his two-song second-part and it shows, though this site continues to harbour reservations around general execution (someone wiser equated his aesthetic recently to Apple Computers), he can be reasonably argued as having the best section in Origin between the sidewalk-to-sidewalk frontside flip, the feather-light b/s smith grind b/s 180 and that brick-cracker ollie at the Brooklyn Banks. Then the well-telegraphed alley-oop 5050 run, which I bet Jason Dill cheered when/if he ever saw this vid.

Trimming down probably mountains of footage helped Daryl Angel’s part as this dude to me still makes tricks look so easy as to detract from their actual hardness–thinking here of stuff like the switch pole-jam-wallie and the gap to feeble grind, although you can see dangers in the humongous switch hill-bomb jump and the final handrail jammer. Also a fan of how the nollie backside 180 is moving up the ladder in terms of a power trick, with Dylan Angel launching it down a longish stair-set and Marius Syvanen taking it over a high bar — there’s some Nordic tinges of AVE to that dude’s part and he’s got a related nollie b/s tailslide in there that’s for sure praise-worthy, kind of wish he worked in more of his really effortless and almost bizarre-looking manual stuff like he had in that Canada tour clip.

Notable new guy, Mark Suciu, brings a relaxed-with-some-stink style that sorta reminded me of a young Danny Renaud. All the footage where he’s wearing the five-panel hat is pretty much golden, specifically, the Gideon Choi-slide and the backside tailslide on Pat Duffy’s kinked rail. Al Davis’s part should’ve been longer as well as Tim O’Connor, to whom you can apply that complaint for basically every appearance since Photosynthesis, Steve Durante crushes at Pulaski with no set-up time and a separate switch wallie that threatens to shut down the video right there. This is nearly the best part in the video and had it incorporated some of this footage would’ve been perhaps the best one all year.

IRS scofflaw Fred Gall leads a pretty good delivery from the old bros that includes a bluntslide on a handrail, proving that beer drinking helps you. Danny Garcia’s switch backside tailslide variants are gathering rust but he still sails mightily over a rail, Stefan Janoski indulges his taste for switch k-grinds and nollie frontside flips, Silas Baxter-Neal bounds over handicap ramps and employs a “Welcome to Hell” ender that deeper mines his no-frills brand of solid trick-landing, when he’s not wintering in Illinois or rubbing Gillette the wrong way for whatever reason. Bryan Herman cameos for the ride-out shot.

Guru Khalsa’s spaced-out quiet storm is the real ender ender though, completing one of the best-looking SSBSTS’s of this new decade and incorporating maybe the most outlandish “psychadelic” image in “Origin” by way of an uncredited appearance from Christian Slater. It took me some years but feels like I’ve fully warmed to this dude’s sometimes off-kilter, sometimes classically ’90s boarding (the big b/s 5050, vs the frontside tailslide ahead of the f/s blunt). When do you see dudes jump up on a switch 5050 like that, when do you see dudes push eleven times for a trick but still not seem in a real big hurry.

Bookending all this discord and occasional moments of quiet tranquility is archival footage that reminds of the talent that slipped away for one reason or another (Renaud, Raymond Molinar with generally impeccable trick choices) and others like Ed Selego or Mark Appleyard where you could forget they were on at all. Still not sure what the thinking was here, beyond vague celebration of Habitat’s inaugural decade-long offering — there were things said like they wanted to re-use footage to music where they could get the rights, or incorporate clips from dudes like Wenning or Pluhowski that maybe don’t rate as #habitat for the current generation, but do a couple montages do the trick, or is this a further, more glorious-er mess left for us to unravel, akin to the mysterious spaghetti squash.


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