Well, I suppose we’re obligated to ramble on a little bit more on the Kalis/DGK/Alien situation, but believe it or not, I’m kind of at a loss* since this whole deal seems like it should be a bigger issue than it is. Maybe it’s team-hop hangover from Koston-Nike, or maybe it’s like Kalis himself implied in the EXPN interview – he saw it coming, Alien saw it coming, nobody was too broken up over the whole thing. There is a vague end-of-an-era feeling I guess, but AWS has moved a space pun-worthy light year or two from where they were back in 1995 (throwback graphics notwithstanding), whereas Kalis, bless his heart, hasn’t changed his approach too much (brown cords and Rolling Stones notwithstanding).
There’s been talk of unused Spanish footage collecting dust on Greg Hunt’s cutting room floor, the stunted career ambitions of one Marquise Henry**, and the increasingly divergent path of Alien Workshop from its hallowed backpack rap roots, which was one of the things that perhaps made Kalis a more interesting part of the mix in “Mind Field” than “Photo” and for sure “Time Code.” Is it ‘better’ that Josh Kalis reclaim his gold link-wearing past and steer clear of stretch denim and coloured-frame Wayfarers, probably yes. It is a bit sad though, since one of AWS’s great strengths was bridging the gap between the weird, cerebral shit the Ohio brain-trust had going on, and the dudes cracking tricks and fighting bums in the piss and dirt at the Brooklyn Banks. I thought Josh Kalis’s section in “Mind Field” was one of the proverbial fresh-air breaths with its abrasive rap music and baggy jeans, but as long as they hold onto Jake Johnson and Grant Taylor, they should be good riding the Dyrdek/Berra reality TV revenue into Jake Burton’s good graces.
As far as DGK goes we’ll stick with yesterday’s headline, in that there are far cheesier and more cold-blooded mercenary moves to be made than joining an old buddy and putting your remaining video footage and photo output toward promoting an independent outfit. Despite coming up in the golden age of profiling Kalis has never really stopped producing, and DGK could probably benefit from his focus as they gear up for a new video. You know Stevie Williams in particular is psyched to have him on. Old compadres back in the saddle again, etc, plus reports have the DGK chieftan forgoing his next multi-zero shoe deal in favor of filming the best section of his career, a tall order on or off Philadelphia public space.
Far more interesting than any of this is that Jackson Curtain is rumored to be sitting on an alleged 30+ minutes of video footage for the DGK project, raising the possibility of a Marc Johnson-esque reign of terror set to a suite of Just Blaze instrumentals… or maybe a Daniel Dumile approach that would see him parcel out multiple parts over the course of a year in a bid for SOTY status or Nike pro shoedom.
*I know, I know
**who’s good and all but should thank his stars he has powerful people watching out for him