The psychedelic Walt Disney reference so nice we used it… again
There was, and probably still is, a certain breed of skateboarder that works second-shift assembly line jobs, uses their deck to clean weed as often as skating it, and gets evicted from cheap apartments. They’re not the best dudes skating the spot, but maybe they buy liquor for the best dudes, and you could say these types remain a crucial part of the skating DNA as far as flying the high school dropout/”fuck an office job” flag. I’m pretty sure this demographic still exists – I hope it does – and would like to think of future “buy a vowel” T-Eddy contender Ben Skrzypek as a sort of standard-bearer, because he totally looks the part. I’m pretty into this guy’s section in “God Save the Label,” because he skates different from most of the others and somehow ups the sleaze factor, no small feat in a Black Label vid, whilst generally skating much faster than you’d expect with a dude who looks like his off-board time is spent dealing bammer weed out of a single-wide trailer and flipping a butterfly knife around. There is validity to the Rob Welsh comparison on some of these ride-aways (like the fakie flip b/s nosegrind) and it’s always nice to see a dude on the make who’s not caught up in the outfit wars. We are partial to the switch frontside heelflip over the rail of course, the backside flip over the hydrant, and the cracked ender that looks like it took some balls to ride out.
Whereas Skrzyp6qrxpek rarely shifts from his black tee motif, Adam Alfaro continues the rich history of in-the-public-eye pros aligning themselves (read: dressing up as) members of their favorite band. On its face this practice may be considered uncreative and/or laughable, but I sort of thought Alfaro had something going with his desert-dweller GY!BE deal. So in some ways it seems like he’s lightened up for his part in this video: colorful socks and some loopy spots with a comparatively bouncy song and those effortless kickflips. The carve-around ditch kicker thing looks like a snowboard spot, and pretty fun.
But if you’re short on spots, or buy into Chet Childress’s sob story about a bad recession ruining his scheme to frontside grind the Taj Mahal, you could do worse than film a one-spot video part at the ever-mutating Burnside, and the harebrained hillbilly is probably among the better-suited types to pull such a thing off. He’s claiming Portland as a hometown of sorts now, and while he could possibly claim Canada after pushing a Wu-Tang sample for his song, the Label benefits from the thematic push forward I think. And the part’s good, full of trademark Chetisms such as the bluntslide pop-out, the 5-0 revert, as well as an eyebrow-raising switch drop-in and some weird disaster sorta stuff. It is also mostly free of ebonics, for those of you who A. watched the NBTT skits and B. reacted negatively. Personally I rank Chet Childress among the better skate video actors, up there with Tony Ferguson, Keenan Milton and Lance Mountain, but it’s all about the script innit?