Joey Brezinski leads a scrappy team of crime-fighting guinea pigs in the outrageous animated adventure “Right Foot Forward”
I’ve been a Joey Brezinski fan but sometimes it’s hard. He’s always spinning around. So you really have to pay attention to know what’s going on in a general way. Plus I think he gets so mindbendlingly tech’ed out that he sometimes forgets how to execute your obligatory street pro tricks like the kickflip backside tailslide, and looks a little off when he does them.
So you can imagine my surprise when I put on this new Transworld video and discovered that Brezinski has gone back to the basics. Comparatively. By which I mean, the average length of combo-trick names in his “Right Foot Forward” section came in a bit lower than that of his recent Cliche video part, exhaustively chronicled earlier. He didn’t manage to crack the hallowed 15-word threshold, but did come pretty close at one point. Breakdown is as follows:
-Switch nose manual fakie bigspin manual drop-down to manual backside 180 out (12 words, 77 characters)
-Backside nosegrind shove-it to backside tailslide to fakie (8 words, 59 characters)
-Halfcab kickflip nose manual backside tailslide to fakie (8 words, 57 characters)
-Backside tailslide to fakie manual half-cab kickflip (7 words, 53 characters)
-Frontside noseslide nollie bigspin switch manual 180 (7 words, 53 characters)
-Halfcab noseslide to nose manual nollie heelflip (7 words, 48 characters)
-Half-cab kickflip manual revert half-cab kickflip (6 words, 50 characters)
-Frontside noseslide fakie manual bigspin kickflip (6 words, 50 characters)
Aural fatigue aside this is a pretty good effort from the manual madman and I kind of dig how he tries to grubby up his squeaky-clean manual act with some of those dingy wallride spots the youth* are so fond of these days. The simple(r) shit was good too, like the backside 5-0 to switch f/s crooked grind and the backside double flip, and that zany powerslide move turned out far better than it probably should have. We’ll get into the whole aesthetic of the TWS vid a bit later on, but I’m respecting the Holland/Ray vision as far as these levitation clips too – the type of thing that doesn’t take a whole lot of time away from the actual skating but adds to the overall, er, vibe. Brah.
*no, no, no