Belatedly wrapping up our rundown of the Black Label video, a topic that has spanned two months here, by looking back to the imperatively titled TWS production “Let’s Do This!” and specifically, Brian Brown’s part: at the time, watching this section tended to tire me out trying to keep track of the tricks, as nearly every clip was a sequence event incorporating a wallie, wallride, manual or some other shit. Chris Troy, a professional skateboarder for the Label as of last week, is a similar breed, having apparently never met a 360 or 360 shove-it he didn’t like and seeking to incorporate these into damn near every trick he does. It’s a lot to take in, and there are times when he pulls it off super impressively – the fakie bigspin feeble grind is a ballsy move for sure, though maybe not in the same league as skating to a brand-new Rancid song. Other times though it’s cool to see him do a sort of more simple trick, for instance, the crooked grind backside 180 at the Kellen James ledge, a breath of fresh air amongst the bigspins to boardslides to whirlybirds.
Shuriken Shannon tilts things in the other direction, kicking off his last-part performance with two ollies, on flat, in a line. In a couple different ways this dude is helping shift Black Label’s overall aesthetic but he’s doing it via a Lews Marnell type of solid/frill-free skating (lime grip and occasional ledge combos aside) that gets over mostly on mashing those four little urethane circles to the ground all at the same time in a fairly satisfying way. There are techy moves, like the fakie inward heelflip and the ghetto bird (?) over the rail, but stuff like the 50-50 kickflip, switch frontside 5-0 and backside heelflip are more the rule, and I’d put the ender-ender into this category too – that spot I really like for the purposes of video clips, because it’s naturally occurring, appears kind of scary and tricks look good going down it, especially if people land switch and have to carve it out.
In other vids you’d have to wonder whether our friend the throwing star has the fireworks necessary to close out a feature-length production but one of the things “GSTL” has going for it, like Black Label generally, is the panoply* of styles/terrains/archetypes as opposed to six or seven parts of stretch-denimed greasers taking aim at handrails or tall-teed technicians rotating in and out of New Era fits. I don’t carry a huge torch for Black Label or anything but Lucero’s institutional expertise and general viewpoint are as necessary as they’ve ever been (insert comment re: this day/age here), they make good videos, and have aged well as the glam rock wave crested earlier this decade… to whatever extent they owned some of that real estate before the Baker Boys/Hollywood/Pigwood community moved in, and they’re doing a nice job keeping up the neighborhood.
*BTO’s college word of the day for you
Tags: Black Label, Brian Brown, Chris Troy, dirtbags, fireworks, God Save the Label, Jason Adams, John Lucero, metallurgy, ollies, pop-punk, Public Enemy, pwnopoly, Shuriken Shannon, tight jeans, whirlyball, words