Even without flipping it over and looking for the little logo you could probably tell skateboarding bears a “made in America” seal just because of the tendency towards overkill. Big pants/small wheels, goofy boys, paint-on pants, substance abuse, stair counts, ledge combos, the personas of Alva, Muska, Mike Plumb, et cetera. The mega ramp. You have your top dogs specific to a certain latitude/longitude as the pendulum swings this way or that, for instance Ron Knigge or Josh Kasper or Ray Underhill, and then what turn out to be the more longview types that might rise up during one era or another but don’t wind up being defined by it and find ways to roll with whatever’s going at the moment, say Carroll, Daewon Song, Jason Dill, Grant Taylor — Mark Gonzales. Like, there may be more technically skilled or bigger-balled dudes going at any one point, but if you’re watching “the Storm,” you’ve got Jerry Hsu on one hand and Scott Paezelt on another.
All of which is a typically long-winded way of coping with a melting of mind following a couple watches of Eli Reed’s entry in the X-Games “real street” competition, a minute-long clip that’s a little gratuitous as far as including a couple magazine cover clips and some of the more original (versus “creative”) tricks to come along in a good while. If I was, heaven forfend, a judge on “America’s Next Top Flow Bro” I would formulate some sound bite to the effect that Eli Reed has a “point of view.” Like, who’s doing nollie bonelesses on name hubbas? Switch backside 360 manual? I’m sure there are some “Forecast” seeds that have pulled similar 360-flip nosegrinds and switch bigspin flips but a key difference is that this dude’s method has that appealing stink on it. Switch k-grind for the 90s dudes and wise use of the big switch ollie, which also helped get me onboard with Mikey Taylor during the City Stars days. A minute long and this is easily one of the best sections all year, I hope he gets the $50k or whatever it is.