It is either fate or some higher-level commentary on the state of the culture that a supernatural-themed company that was itself brought back from the dead has been going around re-animating tricks and concepts forgotten to the annals of time, but here we are. Creature rider and reputed EDM aficionado Ryan Reyes gained gnar levels last year for innovating what is now known as a “railie,” including tickling the muse of Guy Mariano, whose career enjoyed its own second coming. Elsewhere Creature breathed blasphemous new life into that “Storm” era Smolik accessory, the Osiris G-Bag, reimagined as a giant beer koozie.
Now, after rumors of so-called “coping dancing” have percolated among musty corners of the internet for several years, Creature’s re-animator in chief Darren Navarrette in this month’s new “CSFU” project whips the white sheet off a potentially new creation, a combo handplant. As a strict adherent to the straight-and-narrow, meaning generally sidewalks and schoolyards, I’m hard-pressed to brandish the NBD acronym in the transition neighborhood, but the last vert wristwork I recall on this level was perhaps Tony Hawk’s double board spin in “The End.” Does anybody know what Navarrette’s trick is called, and if it already existed before this?
Tags: Birdman, bunnies, chocolate eggs, coping, Creature, CSFU, Darren Navarette, dubstep, Easter, Miskatonic University, OJ Da Juiceman, Osiris, railie, reincarnation, Thrasher, water whip it, zombies