Hair-salon proprietor Willy Santos in his hot-shoe am days was regarded as the prototypical new-school tech kid, and his opening part in Birdhouse’s $1 million 16/35MM extravaganza ‘The End’ kept him in good standing as it pertained to the miniature picnic table set, cracking nollie pop-shove its and switch heelflips over that small can with some finesse, plus the rarely seen half-cab noseblunt back to fakie. Looking again at some of the tricks here though like the switch boardslide pop out, which may obligate the ‘could stand up today’ trope, as well as the kinked lipslides and boardslides, conjures flashes of clips to come from card-carrying gnar dogs such as Vincent Alvarez, Geoff Rowley and Dustin Dollin. The gently sun-faded footage here can be weirdly relaxing, probably because like the rest of ‘The End’ it’s backed by those clumsily dubbed-in sound effects that lull in a fashion similar to elevator music or a distant helicopter.
Summertime Mixtape Vol. 2 #4 – Willy Santos ‘The End’