Are ‘au natural’ street plazas going the way of the proverbial buffalo as city councils approve expensively designed, corporate-sponsored alternatives to be tucked safely away from the gentle arts of commerce and civic life? Was Bobby Worrest, by soaking his first and best of three 2014 video parts exclusively in DC’s notoriously hard-to-skate Pulaski plaza, making a point to us all about using every part of such diminishing urban resources, from its highly regarded dish to the bitty handrails? Was he really high-tailing it from the cops at 00:25? Such questions are unanswerable at best and at worst open up the possibility of galactic damnation, which would make it incrementally more difficult to draw continued pleasure from the way Bobby Worrest threads his way through the spot, sometimes seeming to chart his route on the fly (like the line with the frontside 180 nosegrind revert), getting chummy with ledges and with no wack tricks. His lines in this part are varied and deep with hard tricks (switch frontside bluntslide, switch kickflip backside tailslide, switch kickflip frontside noseslide, etc etc), sparing little notice for traffic of the human or auto persuasion. Whether it was the U.S. government shutdown, Zero’s molar-rattling ‘Cold War’ vid, salvation via Nike from the dregs of shoe sponsorlessness or just ‘his people’ (as pictured following the final switch flip), something kindled a fire beneath Bobby Worrest’s sneakers this past year, and the adoring populace can only hope it continues to bubble, blister and blacken his foot-flesh well into 2015.