Somehow, as global intelligence and stylistic nets began tightening around the turn of the century, the 5-0 achieved a Keyser Söze-esque exit that eluded other tricks. Kickflips? Jim Greco was on the case in ‘Feedback,’ laying down a red line between ‘flick’ and ‘mob’ that left room for the Gonz but few others as Tom Penny’s shredded Accel toe caps ascended to deity status. Snowplow nosegrinds were sidelined after Anthony Pappalardo and Brian Wenning came through in ‘Photosynthesis,’ reserving any deck contact for an early pop out. Even a freshly celebrified Chad Muska couldn’t preserve the ‘illusion’ frontside flip from the Andrew Reynolds movement, and Bryan Herman did likewise for hardflips a few years later.
The 5-0 kept on skidding its tail into a fresh millennium though. “Mileage,” a naysayer may neigh. “How much better is a truck-balanced 5-0 going to look, anyway.” Well, how much ‘worse’ did a classically vertical hardflip in the Kareem Campbell mode look than the commoditized version available today in most city-sanctioned street plazas? The answer may confuse and arouse, but rarely satisfy.
Erstwhile French Canadian Wade Desarmo these days often occupies what could be construed as the ‘style’ wing of the DGK/Gold Wheels spectrum versus the increasingly convoluted flip-in and/or -out combinations forged in the J-Kwon smithy on recent weekends. It was sort of hard to tell through the compressed vision of the ‘Parental Advisory’ VX footage, but time seems to have worn away the past decade’s profuse denim and freely flapping basketball jerseys, leaving in place a journeyman hardflipper who nowadays mines a sensibly pantsed seam somewhere in that rational no-man’s land between stylistic spectrum endpoint-holders Dane Vaughn and Dustin Montie, with tricks increasingly resemblant of Mark Appleyard in his oversleeping SOTY heyday.
Is Wade Desarmo, whose appearances in last month’s ‘Gold Goons’ and last year’s ‘Blood Money’ quickly become highlights on repeated viewings, the case-maker for a balanced 5-0 grind? He hardflipped beautifully into one in ‘Parental Advisory,’ script-flipping of a sort versus a similarly balanced 5-0 that Marc Johnson varial heelflipped out of in ‘Modus Operandi.’ ‘Gold Goons’ is a worthy successor to ‘Got Gold’ in all of the necessary ways and the eponymous goons produce obvious highlights such as Rodrigo TX’s tailslide kickflip with the Keenan Milton mail in the back pocket, Tiagos Lemos’ massive switch backside tailslide on the stage and run through Carroll’s loading dock, Carlos Iqui’s hardflip b/s nosegrind revert and switch frontside 360.
Many of these tricks nevertheless would leave the 5-0 grind feeling safely skidding its tail through another decade, aside from a hardflip or varial heelflip between friends now and then — if it were not for again, Wade Desarmo, fresh off a switchstance Pupecki grind back to switch, still facing the ledge with one of the more ominous look-backs since Birdhouse flew Rick McCrank to a nighttime jam session at the San Dieguito handrail, perhaps signaling that the 5-0 grind may yet be revisited before completion of the looming presidential campaign.
Tags: 5-0, Brazilians, Carlos Iqui, Crime Mob, Dane Vaughn, every skate video, Feedback, Gold Goons, Gold Wheels, Got Gold, gratuitous reference making, hardflips, Jim Greco, neigh say, nosegrinds, ormeaux, ski masks, Tiagos Lemos, Verbal Kint, Wade Desarmo