Arriving shortly after Rick Howard and Mike Carroll joined forces with Ty Evans, this entry closed out 411VM’s midperiod and set the stage for the bloated, high-concept video escapades of the 2000s that would help sink 411 itself and eventually become an albatross for nearly all companies possessing the dollars to still attempt them. This clip also marked a historical juncture for Girl itself, featuring the handrail-heavy pickup Rick McCrank in his absolute prime and Eric Koston still ascending toward the height of his Sparkles-era powers. All the Ty-isms are there too: an intro that spans a third of the clip, stridently emotive techno-pop, high-fives and camera mugs, slow-mo. Rick McCrank whipping a switch ghetto bird on a battered QP, Mike Carroll refurbishing some of his ‘Modus’ moves like the nollie flip to backside 5-0, Rick Howard shove-iting into and out of a backside nosegrind, Eric Koston going the distance on a wiggly bar, everybody in Es shoes, launch ramps and an ostrich — nobody in 2O00 could touch it.
Tags: 411VM, Diamonds From Sierra Mist, Eric Koston, ghetto bird, Girl, Mike Carroll, Rick Howard, Rick McCrank, the southern hemisphere, Waiting for Lakaightning, wiggly bar, Y2K A-OK
boil the ocean 
June 25, 2018 at 5:01 pm |
loved that time capsule of Girl. that song is so terrible. instantly increased my feelings of stress.