Scott Johnston, The ‘Aja’ Pill and The Reality of Our Surroundings

Have you felt it? Only recently it was Madonna’s ex-boyfriend Dennis Rodman, the former WCW wrestler, providing a septum-pierced window into the mind of Kim Jong Un, heir to the legendary North Korean golf dynasty, ahead of talks toward a nuclear disarmament. Beyonce and her rhyming spouse Jay-Z rented out the Louvre for a recent music video featuring Jay’s golden Indiana Jones medallion, while DJ Khaled plugs Weight Watchers. Onetime baseball tycoon Jose Canseco later aired his personal goal to join the emerging U.S. space battle force, an interplanetary armed squadron geared toward asserting American values to space’s infinity — and beyond, if duty, honour and extraplanetary riches require. Ours truly is a bold age of discipline and strength, forged in courage and rare-earth minerals, impossible to dilute.

Could it all be a simulation? Scientists have begun to seriously contemplate the question, which if nothing else seems a natural for a non-retrograde Alien Workshop board graphic. The rigidity of mathematical and physics principals hints toward rules for some ‘Big Game’, but really it’s the seams that sometimes show. One worldwide famed instance involved the mass memory glitch that occurred when the ‘Berenstein Bears’ series was erroneously replaced with the misspelled ‘Berenstain Bears’ version in our current when, igniting fury and hair-tearing confusion among readers.

There’s plenty more. In ‘Deathwish Part Two,’ published to the Thrasher.dotcom video engine weeks ago, one of Beagle’s HD VX-replacers briefly captures a splash of skatepark graffiti that includes a spray-painted ‘Nike SB’, some mistaken cut-and-paste job from a reality in which the Greek goddess of victory’s namesake company is some scrappy bro brand hawking t-shirts off BigCartel. Elsewhere, Erik Ellington sells loafers with golden tassels. Andy Roy, freed from jail, a famous TV game show host.

Scott Johnston, in a recent Chrome Ball interview, alludes to an alternate timeline in which his indelible Mad Circle part was soundtracked not to the perky, radio-friendly unit shifter ‘Peg’ but to an entirely different Steely Dan song, widely assumed to be ‘Any Major Dude Will Tell You.’

Justin already had a Steely Dan song picked out but it was a different one. I ended up going through the CD and finding another one that I liked better, which was the one we used. I guess I just kinda took it and did it. (laughs)

Scott Johnston’s ‘Horns’ part, with its tightly controlled switch 360 flips, is known across this land’s towns and botanical gardens as a classic of the form to be copied to the best of anyone’s abilities, mammal and invertebrate alike. If one accepts/assumes this existence to be a simulation, one also must accept and, ultimately, celebrate the certitude of multiple versions of this same simulation playing out simultaneously, with slight variations, infinitely. It’s easy to envision dozens of editions of our current reality, multitudes of laptop and plasmoid TV and smartphone screens playing Scott Johnston’s ‘Horns’ section, each one soundtracked to a different Steely Dan track plucked with wild abandon as Scott Johnston sifts through a bottomless sack of Steely Dan CDs in Justin Girard’s apartment lo those many years ago, his hand casting and reaching further and deeper into a black night staring back with an eyeless, blank reflection on our artificial existence.

As the trumpets and infrastructure spending of another Olympic Season fade, can we find solace and hope in technology growing closer to reviving the body of the too-soon-gone Walter Becker, if not his Jose Cuervo-bathed soul? In a post-all era, is tagging the names, let alone logos, of multibillion-dollar sportswear conglomerates the height of subversivity? Does Khaled really swallow those weight-reducing foods? If all this is just one of an infinite number of simulations playing out, are your odds of being in a good one versus a wack one roughly even, or would an advanced civilization prefer to study only ones where shit goes wrong, Love Park gets demolished, Prince ODs, Danny Way’s ‘Tru, B’ part never comes out, Max Geronzi switches over to skating exclusively novelty old-school setups, and Kyle Nicholson never gets a full shoe deal?

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3 Responses to “Scott Johnston, The ‘Aja’ Pill and The Reality of Our Surroundings”

  1. Rocuronium Says:

    Any track on that album is better than Dude, so I guess we’re in a good simulation.

  2. Tilbury Says:

    You really performed over visitors’ targets. Thank you with regard to making these valuable, honest, edifying and moreover great thoughts on individual for you to Kate.

  3. Due To Skating To An Unreleased Steely Dan Demo And Other Services Rendered, Niels Bennett Hereby Is Named Your 2020 Skater Of The Year | boil the ocean Says:

    […] And yet all of these choices made by individuals over the last ~25 years fall short in their own ways, for instance by leaning heavily on the somewhat generic if well-executed ‘classic rock’ projections of the early Steely Dan catalogue, before they fully steeped their music in jazz arrangements, kicked off all those other dudes, and plowed through hundreds of millions of dollars in studio time for days-long pursuits of the perfect take. Here in human history, and indeed the planet’s own, Scott Johnston stands apart in Mad Circle’s Bay Area document ‘Let The Horns Blow,’ using ‘Peg’ in a choice that has reverbrated and frequently gyrated through time. […]

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