4. Gustav Tønnesen — ‘Reverb’

The easygoing freedom radiating off Gustav Tønnesen’s otherworldly tricks arises partly from his and Sour’s congenial, blissful separate-ness from the California pro-circuit rat race. He generally seems unconcerned, and it’s probably a contributor to rather than detractor from Sour’s assorted successes and achievements since the Sweet split. The askew ‘spot’ choosings and bottomless skill reservoir regularly exhibited in the ‘Sour Solution’ entires can leave one wondering what a Gustav Tønnesen part could look like given the ‘big-budget’ treatment and an indulgence toward more-standard video part trick choices, and Adidas’ late-arriving ‘Reverb’ vid offers one version — there’s a nollie 270 fronside noseslide into a bank, a switch crooked grind in a line, a switch hardflip over a gap, all typically feather-light and unhurried, but it’s not long before he’s wallriding out of a backside noseblunt slide and finding all types of things to do with a corrugated metal vent thing. Inevitably, he is drawn to Max Palmer’s angle-ironed cage-bank and the Rector Street bench’s final hours before boosting a switch kickflip off a few angled bricks and up a four-foot euro gap, as it was foretold. An actual magician.

Tags: ' brick city, 4:3 converter, Adidas, also the switch 360 flip from 'Sour Solution II, Choices 2, Chris Mulhern, floatings, Gustav Tønnesen, Illadelph Halflife, man bun, Max Palmer spots, Reverb, Sour, wine cave stuff