For all the ‘future’ trappings around this Karl Watson-blessed kid and how he closed out the Maxallure video, from the high fashions to the ‘2070’ dateline on the into, he put something together that hits strong notes across a bunch of different eras from the last few decades. There is East Coast ledge technicality in his kickflip backside noseblunt pop-out on the wooden block, hill jumping in the Bay, some ride-on no-comply shit, and hammer-swinging flips down big gaps, like the fakie frontside flip that he crazily hangs onto. There is a chain wallet. Lil Dre generally though is just fun to watch, with his strange and mesmerizing switchstance flick delay, the back-and-forth windmill on the halfcab to backside tailslide, and his raspberry after that fakie ollie to switch frontside crooked grind (or whatever this fairly heavy trick must technically be termed).
Tags: button ups, chain wallets, Cuban Link, fakie frontside bigspins, Lil Dre, Manifest Destiny, Matt Hensley, Maxallure, switch hypnosis, that line through the new Union Square tho, Town Business
December 29, 2020 at 3:44 pm |
Funny how his style totally matches the auto-tune in terms of grace and swagger.