Alex Gall careened into the frame at a time when a dude could get a wheel ad and a board ad in a magazine along with a 411 part and immediately become a factor. Jamie Thomas hitched a VX1000 to this dude’s blazing backside 5-0s and barely hanging-on squat landings to get out this ‘Wheels of Fortune,’ which came in a couple flavors, before the misanthrope knowed as Trainwreck hopped to J Strickland’s Bootleg venture and then for the board-company blip Young Guns before his pro arc fizzled. But while he was hot, he was hot. The 411 part is Zero edited to the Mountain Dewiest cut-at-the-snap levels, with Alex Gall screeching backside tailslides down hubbas, fakie ollieing onto the Arco rail six ways to Sunday and 5-0ing long handrails, real visceral skating that sort of personifies the triple-stud spike belt that’s ripped across the sidewalk at the beginning of the park. Let the record reflect that Alex Gall’s brief time at the top of the industry heap also produced what remains one of the best non-trick magazine covers.
In the Josh Kalis “Epicly Latered,” Black Box impresario Jamie Thomas draws a line between the raw vein tapped by both Lennie Kirk and Alex “Trainwreck” Gall, which is fairly on point and could be extended maybe in both directions, back to the street-brawling style of previously noted Thomas favorite Sean Sheffey and then also Zeroites like Eric Ellington or the early years of Jim Greco, with the way he used to ollie way down onto the rail for tricks. In the past I’ve sometimes thought that Lennie Kirk shares some trick selection and freedom-of-arm movements with new Fallen signee Jackson Curtin but that prompted an argument I think — whatever the case, the period-jumping view into Alex Gall’s career via a look at Lennie Kirk’s quick burn in the context of a Kalis retrospective brought my browser to this reconsideration of Trainwreck’s tenure on Zero a decade back, of which I was a pretty major fan, touched off by his sudden Zero ad takeover and this 411 section:
Whether or not Alex Gall mounts some eventual comeback, what’s worth celebrating is his visceral approach to landing tricks and occasionally skewed selection of moves (switch Japan air down stairs, lots of fakie ollies onto rails), sharpened by the way Jamie Thomas would put together the old Zero vids — super quick cuts to tricks just before the dude snaps the ollie, translating to a lot of short parts, 80s guitar music, jeans, big jumps, etc. It didn’t seem real outlandish back then but making videos this way seems pretty far removed from the current practice of ramping the slow mo when a bro gets onto a trick, letting him slide and then ramping it up again for the landing, to the point where it’s hard to get any fix on what it would’ve looked like in real life.
In that respect it’s too bad Jamie Thomas doesn’t exert greater control over the dual VCRs these days, but as Ernst & Young years ago recognized, he has this expanding business empire to look after. The announcement in January that Chris Cole was being brought in as an equity partner in Zero seemed a sort of ingenious response to the DC pickup and possibly the final step toward creating what could be a totally vertically integrated skateboard company — nearly all bases covered across the hardgoods/softgoods spectrum (including the all-powerful revenue generator of shoes, and a bargain-priced deck lineup), production at the Cinco Maderas plant in Mexico, distribution, online store and trade show, with rumors also on the hoof that Jamie Thomas has secured a venture capital investment from Bigfoot to acquire large swaths of Great Lakes-region forests, as well as a stableful of aging horses. Now with its marquee pros fully vested in the company’s expansion and a warehouse staffing/housing potential amateur talent, the circle nearly is complete.
As for Tom Asta, currently enjoying a sort of “roadblock” campaign on the Black Box site linked to his pro debut (with boards immediately available in the online shop) — I support this dude’s judicious mix of do-it-all tech with more straightforward tricks like the half-cab over the sphere or the big frontside feeble grind, and you can tell he’s really going for it on some of these clips, like the big boost put onto that one backside flip. One of the best things about “This Time Tomorrow” was seeing Asta and a slew of other dudes reviving some of the classic Love Park/downtown Philadelphia street spots, and the ender-ender here is a nice bookend to Asta-backer Cole’s contribution to the fountain gap back in that TWS vid.
boil the ocean 
