Joey Guevara is a hill-mining San Jose footsoldier in the Mark Suciu mold who presses somewhat faster and looser than many and spices lines with some tricks you don’t see too often, ranging from a switch frontside noseslide to a kickflilp backside lipslide to a fakie backside nosegrind revert (frontside) and an Ellington frontside noseslide. The song they used here clicks with the skating going on, in a Satva Leung sense — as in nothing overly bombastic (there’s a 50-50 danger dismount though) other than the sorts of tricks and runs you may wish you could do on the way to work or the store, in particular if you worked at the bottom of a hill with a vertical pole wallie and some treacherous whoop-de-whoops.
Posts Tagged ‘Atlas’
Mark Suciu seemed to lurk around every corner in 2012, roaming the map and riddling spots with very hard tricks before resurfacing every few weeks with yet another video clip, earning him favorable comparisons to Gucci Mane in his prime. In recent months Suciu has ripped downtown San Jose, Spain, the southern U.S., Philadelphia and most recently New York, finding a new way over the courthouse cliff en route to an Adidas paycheck. And this all came after setting off 2012 with a skateshop part that digs deep into a trove of well-worn spots to unearth some bar-lifting lines and certain yet-to-be-dones. Views can and will differ as to the tastefulness of frontside reverts out of backside noseblunts or frontside crooks, but Suciu proponents were handed piles of ammunition this year in favor of a rare talent that gets over without slavish retreads of coast-specific tricks on coast-specific spots, hands-off editing and (aside from a little wavy animation) no punchlines and no gimmicks when it comes to execution. Mark Suciu in the “Cross Continental” part shakes out a seemingly bottomless bag of tricks, including the little-seen switch frontside smith grind and an immaculate hardflip, and rolls below nighttime lights of skate capitals on both coasts as he composes a love letter to turn-of-the-century urban classics like “Photosynthesis” and “Ryde or Die Vol. 2” and possibly the first “EST.” It is rare that he passes up the chance to add a flip trick up a curb or a 180-out at the bottom of a bank, and he packs multiple variations on 360 flips and 360s into the same line, but it still doesn’t come off all egregious. I for sure watched this part more than any other one this year and maybe more than any other part in the last couple years, up there with Dylan Reider and Jake Donnelly.
What with the standalone physical-release full-length video production gradually scaling back to the more occasional “event” that they were up til the late 1990s, we’ve got some of these one-off web parts taking on a bigger profile and developing their own little hype cycles — the Dylan Rieder “Laterds” coinciding with his landmark statement of purpose for Gravis, Nyjah Huston’s biographical/career turning point as promotional peg for his Element clip last fall, Thrasher handing its website over to Plan B and Torrey Pudwill over the summer in the run-up to his midyear footage dump, and so on. Drama and promotion seem to be part of the effort to rise above the Youtue/Hellaclips/message-board footage din, which makes it notable in a different kind of a way when Mark Suciu and his Atlas store buddies show up and run the WWW table for a three-day weekend with very little fanfare or notice ahead of time.
It’s hard to overstate how good this part is but we’ll try here. Gone is the five-panel hat, but otherwise Mark Suciu and his collaborator Miguel Valle strip away the floppy hair, overwrought ledge combos and assorted other little kidisms from the already-good “Origin” section and double down on stuff like the rail ollie to backside lipslide on the block, and all those flip tricks atop the narrow curb. These dudes seem to work like a good musician/producer combo and are smart about how they put hard tricks in the frame here, like the backside noseblunt up against the wall or the backside tailslide pop-out at Pulaski Park in Washington DC which seems like the type of trick that’s been crying out to be done by somebody. No egregious slow-mo, or even any slow-mo. And some of these tricks and runs are way out of hand.
But past all that you get the feeling that this dude almost is working with a kind of plan. Jake Johnson talked a while back about messages. Not knowing a lot about what he was going for with this section, or Mark Suciu in general except that he comes out of the Bay Area and he’s a fan of vintage Pappalardo and he heeds advice from Brennan Conroy as to footage gathering, it lets you project or theorize a little bit as you oooohh/aaaahh through this footage for the eleventh time. A blurb in Transworld not long ago put him in Philadelphia on some for-the-fuck-of-it road trip that apparently netted the switch feeble grind and probably a lot of the other local stuff as well as the Occupy clip. Looking at the way he’s skating now and the places him and his friends choose to hit, you can put together some picture of a kid who’s getting a chance to put his own spin on a “Photosynthesis”/”Ryde or Die Vol. 1″/”Element World Tour”/”EST” — carving his initials into spots next to Anthony* Pappalardo, Josh Kalis, Fred Gall, Ricky Oyola, Tim O’Connor, Kevin Taylor, John Igei, etc.
People are out there talking about this part in the same fashion as PJ Ladd’s debut, and there’s one similarity as far as how the heaviness of the tricks and lines here** are balanced out by a general low-key approach. No costumes, the whole time you’re basically watching a dude in a t-shirt flipping his board down the street, neither him nor the dude with the camera tripping too much on the angle of the sun in the picture or a little blurry footage or a wayward backpack. Also the fakie b/s nosegrind shove-it in that last line gave this mid-90s torch-bearer goosebumps.
*Possibly my favorite Pappalardo photo of all-time, so it was awesome to see Mark Suciu flip the script at the same spot
**Did he seriously do all those tricks in SF on the same night..