Lines are some dudes’ friends and a natural enemy to others, meaning that during the space between tricks you get to see the subject navigate the board, push, potentially tug at his trousers or swivel his shoes to get set up for the coming gap, ledge, rail or come what may. Vincent Alvarez is one of those dudes where a healthy chunk of the appeal is absent without the swerve of his trucks, like in the run here that starts with the switch bluntslide, or the switchstance slalom between the cars. Vincent Alvarez skates fast and loose and sometimes like he’s flailing to hang on, and some of these tricks here like the switch frontside bigspin wallride and the hasty follow after the nollie flip into the bank are presented with all their rough edges intact, backed by a meandering jazz tune. A lot of this footage reportedly is drawn from the years around when he got onto Chocolate and filming with buddies afterwards, and to me what elevates this part is how you can see that this is a dude running his own roster of tricks, zooming around some well-traveled labyrinth of alleyways and ditches, facing down traffic and big hills. It is one of the shortest eight-minute parts ever.
Posts Tagged ‘ditches’
Awash in “Pretty Sweet” rewatches here, stopping to wonder at Raven Tershy’s backside tailslide shove-it, the apparent re-embrace of Lego-man caps and the number of slams to tricks in this part putting it near Gino/”Hot Chocolate” levels. Also mulling whether or not the last two tricks landed in the proper sequence — ollie in is far gnarlier to me, what about to you all?
Render unto John Lucero…
Haven’t heard a great deal of buzz over the new Black Label video, which debuted a few weeks back, something that could be chalked up to people being busy tearing up obsolete Berrics brackets, downloading any of the other 40 videos that came out this summer, or still watching “Debacle” which is high in this blog’s personal running for top five vids of the year (maybe). Whatever the case it’s kind of a shame because the venerable Black Label spirit is very much intact through this new production, despite dumping half the team and making some questionable additions over the last couple years. Not that it means much, but when they put out that preview clip a few months ago, I didn’t know who half the dudes were, and this is coming from somebody who recently went out of their way to read a Slap board topic listing all their flow kids.
Scraggly speedster Vince Del Valle I had heard of, and mainly associated with that one Adidas ad where he’s doing a backside tailslide shove-it on a ledge above a set of stairs – it made a more interesting ad than usual because they’d gone with the still shot instead of the sequence, well-timed with the shove-it halfway to his feet, which probably incited a few arguments amongst the current crop of driveway kickflippers as to what trick it was supposed to be really. When Vince Del Valle popped up as the first elephant on parade in “God Save the Label” I was hoping to see how it turned out, since that maneuver wasn’t in his “Diagonal” clip… alas, not. But there’s plenty of chicken-fried flavor to this part, which includes tricks over pieces of trash and a proper 90’s-style switch` hardflip into a ditch – on a related topic VDV also packs one of the more classical 360 flips in a world gone mad with Brian Boitano flare-foot*. Also nice: the underpass escalator backside lipslide, pictured above, the tailslide to regular on a rail, cruise control on the multicolored bank and the horns chiming in for the helicopter ender.
*We’re blogging at you, Josiah Gatlyn