‘Right to Exist’ was last year the title of a Santa Cruz video, amusingly suggesting a chip on the shoulder of a decades-deep stalwart once more having to assert itself amid a barrage of smaller, hipper upstarts. The title could just as easily apply to Alien Workshop, whose untimely implosion beneath overleveraged corporate bloat and fairly rapid resurrection — sans prior teamriders — brought on any number of reprisals and bad feeling. Three years down the line, it feels like Mike Hill has reestablished a footing with Yaje Popson, Frankie Spears, Brandon Nguyen and Joey Guevara — this last with the velvet-soled feet and affinity for Detroit’s crumbling foundations. His going-pro part this year, which could’ve been ported straight out of ‘Inhabitants,’ trades in mainly basic ingredients that Joey Guevara can craft into uncommonly satisfying-to-watch tricks — the frontside tailslide shove-it, the nollie backside 180, the fakie shove-it. It’s maybe a little bit long but gets over on the little touches, like the quick switch 180 up the step and the mild surf action following the bar-hop backside 180.