Posts Tagged ‘Hawaii’

Eric Koston, Exploring The Potential For Hammers In Personal Wardrobing, May Suddenly Have Del Boca Vista On Smash

December 11, 2012

hawaiianshirts

At Boil the ocean custom sceptre repair and old-tyme blogginghaus we make few pretenses to the effect that our ultimate loyalties lie elsewise than with the 1990s torch-bearing set, and it is against these currents that we swim when trying to weigh the personal bearing and heaviness of the newer faces on Girl/Chocolate, as juxtaposed in particular across “Pretty Sweet.” The task grows no easier when you have Eric Koston, a five-star general in the game who wears a jersey that says Champion and eats a bowl of Wheaties every morning, pushing around dressed like he’s got his mind set on the shuffleboard court and the early-bird special.

Initially “Pretty Sweet” finds him dressed for the PGA tour, schralping a California ditch in a soberly striped shirt and well-appointed swoosh hat, but before long he’s going for that high-risk 360 flip to switch manual off the drop where he can be seen breaking out the neon crayola crayon tees and, importantly, the camo. You may not guess it coming from a dude of his stature, but I am beginning to suspect that Eric Koston does not have a firm grasp on the efficient use of camo. Case in point being the run down the brick banks where Koston, possibly in a fit of wild abandon, chooses to combine a striped soccer jersey with some camouflage army fatigues, breaking several international accords against pairing stripes with camos. Later he indulges in some cut-off blue jean shorts while going all Jake Johnson down an APAC staircase.

More recently, Koston has been noticed swanning about certain European properties in a floral print hat, basketball jerseys and faux leopard skin, like some headphone-endorsing, crash helmet-wearing Tony Manfre.

While curiously diverse the point is not to catalogue the various and sundry fashion combinations that Eric Koston chooses to pursue, bizarre though some may be, but rather to speculate irresponsibly as to what these may reveal about his current mental state. One can imagine Koston, more than two decades into the video deadline grind and flush at last with Nike fuck-you money, grumpily rejecting any claims on tightly choreographed shirt/pant ensembles and thrusting his fingers deeper and deeper into whatever bottomless and mouldering duffel bag he has in tow on the current filming tour, cobbling together increasingly outlandish getups and upbraiding any youngster that hazards a question or sideways glance. You can begin to picture him treating a particularly day-glo hue of pants, better left undiscovered in some discount bin long since abandoned by a merciful god, as a personal challenge not to be left unaccepted and preferably matched with a pair of banana yellow sneakers, a cantankerous sneer perched on his lip and maybe a bingo card stuffed into his back pocket.

Will Eric Koston’s embrace of ultra-technical, two-sided curb tricks reach a peak concurrent to his recent exploration of colorful and multi-disciplined outfits, potentially involving a sombrero? Has Koston finally gone “too far”? Is this all a natural (though somewhat delayed) reaction to the white tee/blue jean uniform of 1995?

Spliff Star

January 19, 2010


Nick Trapasso, moments before enraging a stuffed-shirt dean of students with his relaxed attitude toward life

Back around the time when Jake Brown offered up his body to raise skateboarding’s profile on sports highlight/grievous injury clip shows, Brazilian melonfarmer Bob Burnquist took a certain amount of heat for appearing to anguish over the organ-lacerating slam, pace, and then proceed to wrest victory from the jaws of the Aussie-eating Megaramp. Some submitted that the classy thing would’ve been to cede the contest to Brown and his history-making 720, but Bob B eventually responded by saying that laying down, even for a badly injured bro, would’ve bummed Jake Brown out and violated the sacred spirit of the X Games themselfs, which would be a bummer of cataclysmic proportions, no doubt.

Only an MRI machine can know for sure what was going on in Jake Brown’s mind at the time, and given the prodigious amounts of the devil’s lettuce that Nick Trapasso is understood to blow, similar guessing at his motivations re: skating would be also a risky bet. But watching the Converse/Thrasher video it’s interesting to see some restraint in terms of what moves he does or doesn’t do at any given time, and in some ways it’s as refreshing as a cracked window to a hotboxed car.

Trapasso’s brand is one of festive floral leisurewear and tossed-off tricks, but the dude’s no slouch skill-wise, switch nose-grinding handrails and hucking that ginormous bigspin flip at the beginning. Not to mention, nollie nosegrinding a different handrail bearing an unfriendly kink. There’s plenty of people who will tell you the Spicoli thing is a put-on, and maybe it is, but there’s some type of genuine relaxation to a dude who in 2010 will incorporate a flatground kickflip into a line*, or a similarly simple halfcab to set up a stair jump, or a halfhearted blunt fakie attempt thrown in after the behatted coping nosegrind. There’s a kind of who-cares confidence there too, the sort of thing sometimes appears lost among trick trends and the rise of personal brands. Also the backside heelflip he does at 2:44 is extremely wonky and sweet-looking.

*nods to Marc Johnson’s “Modus” flatground ollie

The Peace Which Passeth All Understanding

October 25, 2009


Burpin’ and gurpin’

Those who are products of the 1980s will recall “Transformers the Movie” as an emotional tour de force that involved entire planets being consumed by the pesky Unicron, with tears shed at Optimus Prime’s death but somehow no bullshit teenage romance, and a Weird Al song also. The film taught many truths about this human life (imparted by giant warlike robots no less) but the one that really hit me was when Soundwave, Starscream and the Constructicons had gathered after some time apart and were trying to chop it up over a few energon cubes like it was the old days… but their stilted conversation and uncomfortable silences said it all: times had changed and the Decepticons, like all of us, were holding too tightly to something that had long since transformed. Or maybe it was the world that had transformed around them? Or maybe Unicron ate everything. My memory is not what it used to be but I believe the movie won a thousand Oscars.

Now, I don’t know enough about Flip or the various personalities involved to try and cast Ewan Bowman or Jeremy Fox or Geoff Rowley as the hometown-bound friend who can’t, won’t, let go of the past. Maybe it’s none of them, but more so than the labored claymation and boring little kids and brow-furrowing musical choices this is what sort of ends up sinking the “Extremely Sorry” vid for me, the fact that it walks and talks like “Sorry 3” when pivotal dudes have moved on and the planet has gotten a half-decade older. Respect is due the three musketeers and their one-for-allness after so many years, and both Glifberg and Penny do deliver to a far greater extent than they’re generally getting credit for out there in internetland, but we’re left with a bloated production that’s generally treading the same water as five years ago, except with more skippable parts, a heavier weight to bear and yeah, that music.*

(We would like to here make a semi-major detour and get into Luan de Oliveira’s section for a minute, which is actually kind of hot and offers one of the few reasons for optimism re: this next generation of multinational young Flippurs, alongside Nordberg. His switch frontside heelflip means business and if he can keep away from those humdrum switch boardslide to TKTKTK ledge combos he will do well – fast skating, decently built lines and an eye for tricks that are hard and look cool, for instance the very first ledge jam.)

Not sure if it was the best-best, but for sure the most interesting part in this Flip video is Shane Cross, he of the headbands and Hawaiian shirts, whose posthumous part gets some heavy stylizing and ghostly effects that harken back to Arto Saari’s Penny dream sequence in the first Flip video – another one of those Bones Brigade type of moments. It might be reaching to interpret the edit here as an indication of where they hoped Shane Cross might’ve taken things eventually, but the tricks are intense – the side view of the nosegrind makes all the difference and the execution generally is top notch. To me the effects didn’t detract from the skating so much as broaden the universe of the sort of things we might be able to see when putting in a new DVD, quite a bit different than a lot of what’s come before and heavy skating to boot. The biggest bummer is that Shane Cross has gone, and the Flip dudes did right by him with this part, but it’s too bad they didn’t save a few more of the genius pills for the rest of the video.

*The editors of Boil the ocean will ride for the Pink Panther song, however