Fear of the sophomore slump, the one-down, the ill-favoured return trip to the buffet only to find the macaroni and cheese is now only a hollowed-out ruin of crusted detritus — the trepidation of the sequel is not only that the bad guy has come back, or that some irksome and overlooked part of the quest remains unfulfilled. It is that the second time around may never measure up to the first, and worse than that, threatens to diminish the original legacy in the process. It has been scientifically demonstrated that ‘tha Simpsons,’ once heralded as the greatest TV show evar, has now been bad for a period of time multiples greater than when it was good.
‘Veil,’ the new Philly vid from Zach Sayles, faces the formidable prospect of measuring up to his 2019 release ‘Vanish,’ a great vid with a god-level curtains part from longtime East Coast underdog Matt Militano, whose lackadaisical lank, intricate flippancies and bent imagination captured internet accolades and a position on the 5Boro team, while inspiring spiritual pilgrimages to various cellar doors positioned nearby to plausibly hittable windowsills. Beloved was the video part, and Matt Militano’s continued under-the-radarness since, chosen or not, only bolstered the legend.
Now it is the year 2023, and much that had been is no longer. Self-taught computers masquerade as chart-topping club crooners, Super Mario is the year’s most powerfully grossing film star, and in the wilds of Colombia, wetlands boil with the husky and illicit offspring of Pablo Escobar’s hippo collection.
And yet, even in the midst of all these unfamiliars and turmoily change, there can be no doubt that Matt Militano and Zach Sayles have come through, meeting and perhaps surpassing the lofty bar set all those years ago in 2,019. Starting with a switch Ellington shove-out the hard way and proceeding from there, Matt Militano in ‘Veil’ rummages deeply through his bag across two glove-snug tunes, draping wallrides and nose manuals across new corners of PA crust. Jewels are dispensed generously, like a pretzeling backside 180 nosegrind nose manual, a deeply pleasing backside nosegrind to switch 5-0, a leveled-up backside noseblunt on the multi-coloured step-up block at the Puerto Rico school. There is a velveteen set-up nollie, a resplendent saxophone solo, and a centerpiece after-dark line through the Muni plaza that is almost comical in its spotless execution and rumbling drama.
‘Veil’ holds many other riches, ranging from Wu-powered section from Jersey luminary Devon Connell, Quel Haddox flipping his way down steps and over brick and across a street gap, a cyclone of a trick from Neil Herrick involving two backside 180s plus a wallride and a switch manual,Anatoly Bitny doing the scariest-looking switch ollie in quite some time, and a clip from Sergei Trudnowski. Physical DVDs can be bought here.