Posts Tagged ‘Jason Hernandez’

9. Donovon Piscopo – ‘SB Chronicles Vol. 2’

December 22, 2013

piscopo_chron

Jason Hernandez is one of those rare filmers whose steady hand has the power to make good skating look better, versus the other way around like a lot of dudes, and Donovon Piscopo’s greasefired debut via the Nike vid is a good example, keeping the Dill/AVE progeny careening safely in-frame as he tornadoes over a handrail, hurls himself around a curvy bar, carves curbs and generally chews scenery all over the place. I didn’t have much of a position on Donovon Piscopo’s slicked hair and general T&C Surf Designs approach prior to his proper arrival here, but the way he glides that shove-it along the ditch and his feet clamp the board onto the garage door on that wallride sold me, with a TNT-approved property/casualty ender thrown in. Not sure I need to see another frontside bluntslide impossible out, but I didn’t hate it.

Walking On Broken Glass

June 24, 2009


Alternate corny post title: “Smash Hit”

Keeping Nike honest means awarding plaudits when they make the right moves, and firing out the fast, noisy, technicolor explosion that is “Debacle” amidst a summer of sweaty and bloated full-lengths qualifies as a win even if they hadn’t put it up in varying degrees of HD glory for free and speedy download. The powers that SB show they can learn too, deep-sixing the skits that mired “NBTT” (for the most part) and amazingly not playing out the car-skating thing… you’d kind of expect the predictable slow-mo one-trick intros centered on the autos.

Skating-wise Habitat’s transfer-happy Daryl Angel brings his brand of inoffensive modern skateboarding to spots in San Jose, Europe and, er, China, and wages his ongoing battle against the bland through two songs, but the little dude manages to turn up the heat around the time the half-cab feeble grind; the up-down Far East rail combo is a head-nodder, if a little predictable for someone to do at that spot, and he flexes gnar chops on the gap to pole jam and an AVE line reconstruction. Other shit like that f/s halfcab nosegrind and the kinked b/s smith point at potential but this dude’s footage needs an editor more than anything else. David Clark’s kind of a mixed bag; the sort of mellow, vibe-friendly tricks in which he traffics don’t stack up well next to the fireworks of a Nugget or Brock in most instances, but he’s not even getting over on style points here that much, though the hubba wallie is a heater. He might be on the Austin Stephens road.

Jolting between China, SoCal and points unknown, Shane Oneill and Theotis Beasley go blow-for-blow in one of the more effect tag-team/cameo combos recently, and for whatever reason the Nugget’s footage here went over better than his part for the novelty t-shirt purveyor Skate Mental… it could be the song, which probably is my favorite in a skate vid so far this year, or the Beasley backside double-flip, or maybe just the filming which is really on point throughout this whole production and helps the between-skating clips go down a lot easier.

Grant Taylor seems to be refocusing on which grabs look the coolest these days, moving away from his sophisticated take on 50-50 grinds in the Alien video, though he packs a cool block gap backside lipslide into his bud-green drug rug. A few months back I was kind of bummed that his “Mind Field” section didn’t have more transition skating but he roars through the bowls here, blasting this crazy transfer out of the whoop-de-whoops and puddle jumping with the bros before rekindling the dashed dreams of one Frankie Hill. The power beanie gets a lot of play with Justin Brock, who rumbles through spots like a rainbow-colored rockslide with a different array of tricks – bigspin grabs above the coping and a pretty impressive run through the pipes. Somebody more pool-inclined than I will have to determine whether a willy grind on backyard transition is legit, but if the sea-green stocking hat didn’t convince you Justin Brock’s going for it, that move oughtta help.

Really I think the hero of this vid has to be Jason Hernandez, who mixes Zero-style editing slices with some of the more interesting lifestyle clips (like David Clark in the window) to move “Debacle” along at precisely the right pace, clocking in under the critical 20-minute mark if you don’t count the credits. It’s a testament to restraint and judicious cutting, especially considering how a lot of filmers still seem held in thrall by the picture quality that HD camcorders afford. Now begins a new debate: is HD video destroying video grabs’ low-fi kitsch?

Eazy does it

May 21, 2008


Extraordinary machine

The Stereo Sound Agent blog has a post up about Jason Hernandez’s new skate camera dolly contraption, which at once put my appreciation for DIY ingenuity at odds with my general distaste for the Ty Evans school of overwrought video production. It’s a cool idea, I guess, but at what point does the average kid with a VX2000 need some shit like this? Then again, if there are kids out there whose parents shell out the duckets for VX2000s and the various trappings that go along with them, what’s another $545? I mean, it’s not like these kids have anything else with wheels that will roll in a straight line…

Aw, fuck. It’s a free market right? And I like the idea of Jason Hernandez and his dad scribbling designs on the kitchen table and messing around in the garage for a few weeks to make this work, because it reminds me of building ramps with my dad. Holy shit, before I get all sentimental, I’m going to go ahead and link the demo video featuring Daniel Shimizu and Clint Peterson and some other dudes. Now excuse me while I troll YouTube for bittersweet Wonder Years* clips…

*Arnold and Pfeiffer, not Markovich and Lambert