Posts Tagged ‘Jordan Trahan’

9. Sylvester Eduardo – ‘5BNY’

December 23, 2016

There are a range of persons, places and things in skating that credibly qualify as a damn shame, among them a relative scarcity of jazz music recorded before the 1980s. Into this breach marches 5Boro’s Sylvester Eduardo, who opened the ‘5BNY’ vid late last year while this list already was in progress and so became counted within the current fiscal year for skate blog technicality purposes. More generally it seemed like its mixture of John Coltrane, crisp cityscapes and Jordan Trahan’s indelible flip tricks slipped into that unfortunate year-end black hole made deeper by insidiously backward-creeping year-end awards and lists. Timing seems no particular concern for Sylvester Eduardo, who can put down sizable shove-its and bigspins with little to no setup, who hurls himself over Blubba and cranks burly switch 360 flips, elsewhere 180ing the hard way onto some of New York’s more well-known hunks of brick. The backside kickflip he cracks ahead of the over-and-down caballerial deserves enshrining in a high-class, expensive luxury shrine someplace.

Do The Spirit Animals of GX1000 And The International Olympic Committee Howl At The Same Red Moon?

June 4, 2016

“Skateboarding is now 1 step away from the Olympics,” Ride Channel mystics pronounced this week, with all the hollow reservation of an over-the-hill fighter demanding through spat-out teeth and blood to be put in for another round, and all the limp-necked surrender to be revealed in a fistful of counterfeit blimp tickets. This pursuit, once the domain of renegades, outcasts and losers, now is not called but rather ordered up to the big leagues, its youthsome mettle having proven a fuel too valuable for ratings-hungry sponsors to let sit unburned for another decade while the Olympics’ viewership virility flags. The 80s gave, the 90s took away, the 00s gave back — to some — and though a declining number of hard-good consumers and an ever-thickening stew of bootstrappy board companies slicing thinner and thinner pie wedges to share amongst independent and multinational competitors alike, skateboarding’s talismanic powers to restore youth, when its bones are ground into a fine powder and snorted through a €100 bill, have become impossible for the Olympics to ignore.

It is difficult to envision Olympic podiums, matching uniforms and the brassy pomp of various national anthems when Ryan Garshell, Yonnie Cruz, Al Davis, Brian Delatorre, and Jake Johnson are battling irate homeowners, ditching cops, spraying graffiti and barreling crossways into traffic in the bracing and much-awaited ‘GX1000’ vid. Like the ‘Sabotage’ series emanating from the other coast this vid seems less about polishing tricks and placing them on a pedestal for admiration than hunting them through hills and alleys, wrestling them to the ground and cutting notches in the belt after wiping any blades clean of blood let by both parties. The way they let the hill bombs run out with no music has an intensity impossible to concoct with slow-motion drone filmography, and its montage structuring is refreshingly dense, difficult to digest in even a few watches how tech Yonnie Cruz gets in those hills or the burliness of Al Davis’ wallies or all the things Brian Delatorre can do at crazy speed, setting aside the added challenge of having the police, the homeless, and various powers of SF-dwelling Silicon Valleyites arrayed against them.

And yet several planes of existence above, the Olympics may not be so different. Marauding from country to country, city to city, this nationless entity allegedly flouts rules, stokes anger and resentment among locals and from time to time gets kicked out. Some would argue the Olympics embraces a ‘skate and destroy’-like ethos as it briefly sessions municipalities and leaves economic and structural wreckage behind. The Olympics meanwhile cashes its endorsement checks, immortalizes its achievements on high-performance video media, and looks for the next spot.

Should skateboarders, rather than fearing and loathing the Olympics’ crass pyrotechnics and ferocious currency-dealing apparati, embrace it as a spiritual partner in lawlessness amid a more existential battle against local, state and perhaps federal authority figures as well as various other haters? Could Yonnie Cruz handle one of those abandoned Sarajevo ski jumps and bobsled tracks? Switch? Will a future Olympics judging panel be forced to review the GX1000 files as a reference point for tricks that Jake Johnson previously has proven are possible to be wallied into? Did the Cool Runnings dudes pass a test detecting drugs capable of enhancing performance and/or reality? What about Yonnie Cruz’s switch backside 360 tho?

Important Public Service Announcement Regarding Jordan Trahan’s 360 Flip Over the JKwon Block

May 1, 2015

Autobahn Wheels this week released the follow-cam view of last year’s best 360 flip via the above clip welcoming Jordan Trahan, which also features a pop shove-it 50-50 that’s out of the Tim O’Connor playbook and a burly ditch kickflip.

Baud Boy Club

March 13, 2015

youtube_jpg copy 2

Published on Mar 8, 2015

All comments (290)

Mega Mannn 2 days ago
Ay i NEED some of these old AOL/Prodigy/CompuServ discs You got em I got Paypal let’s deal Trying to step up my sponsor me tape game Trying to come up! Need some of them clips so Hit me up!

Mega Mannnn 1 day ago
Ay I’m so sincere w it HMU with those old internet clips Gonna use Um!

John W Sidgmore Lives 1 day ago
shup up

King dave 2 days ago
search “hella thots” by king dave , if u wanna turn up to a thot anthem 

Big Una 2 days ago
Yea

BWeatherby 2 days ago
Jordan Trahan tho. DICK RIZZO THO

Rap Game Grandpa 2 days ago
As a rap game grandpa, i have different concerns. like how a generation of young children are growing up without any adults in the household to teach them that Drake is soft

Unemployed Grimace 2 days ago
calling it…Suge Knight vehicular homicide footage in the next one

GLUPPITY GLUP 2 days ago
do u even believe that shit on those two bubbles i mean damm

Green mind 2 days ago
Rizzo on his Wes Kremer shit

GLUPPITY GLUP 1 day ago
on his Jason Dill

Jordan Trahan also 360 flipped my shed 1 day ago
stop it

Tom from Myspace 1 day ago
anybody skated the hardware how it sk8???? real replies only please

Huf shoes need to st 1 day ago
Huf shoes need to start a shorts team

Michael 4000 Watts The Boy 1 day ago
Yall using the funny voice and makin joke like somebody ain’t just lose they life.SmH

Every Day We 1 day ago
Wept when Joseph Delgado came thru with Killa

Ronnie 1 day ago
Is the chick with the camcorder and the other chick the same chick ? Serous replies only plz
Also need more empire drops
like several

King dave 1 day ago
search “hella thots” by king dave , if u wanna turn up to a thot anthem 

Quon King 1 day ago
nobody had my baxk wen i was loxk down !!! on mehhh

MNMFTB fan 187
Billy McFeely I trust u

Tone Def 1 day ago
dope as fuuuuccckkk

Freaknik Wozniak 1 day ago
kinda think they predicted the gold macbook TBH

Dennis.DeYoung 1 day ago
ti tie my shoes n double knots jus 2 run witcha

King dave 1 day ago
search “hella thots” by king dave , if u wanna turn up to a thot anthem 

Prince doug 1 day ago
OK dave

3. Jordan Trahan – ‘Enron’

December 29, 2014


The ancients believed the frontside pop-shove it possessed various herbal and medicinal qualities that buoyed healing and promoted weight gain. Jordan Trahan, only tangentially related to the earlier-mentioned Jordan Sanchez and famed Alaskan ‘puzzleboss’ Jordan Kiwitroop, knows the names of the forgotten gods and how properly to revere them. As the afterglow gathers toward the close of Bronze’s understandably powerful ‘Enron’ Film this year, Jordan Trahan in two short minutes fulfills many prophecies of old that longer, more expensively made video parts failed to consummate this year. Really, this section harboured all relevant affairs, including a fully cracked backside bigspin and lightly floated hardflip, but to it we endeavor to staple Jordan Trahan’s internet-famous JKwon 360 flip, anointed as an ageless heater by none other than Josh Kalis himself and widely recognized as 2014’s most impactful trick in which a board spins 360 degrees and flips at the same time. As earlier mentioned in the Book of Revelation, ‘I saw heaven standing open and there before me was a 360 flipping board, whose rider is called Faithful and True. With justice he judges and makes war.’ And yet as the fella says, certain individuals don’t want war.

Long Pork

July 23, 2014

crankshaft

Teenage angst is the eternally renewable fuel source upon which the skateboard industry may be said to rise and fall. As a power to be harnessed it can be as tender and benevolent as a caressing summer breeze, or as tormentous and destructive as the most esoterically named tropical swirly. Deck designers for decades have sought to sate teens’ hunger for scary skulls, subversive violence, conspiracy oddments and more recently easily recognizable Plan B logos; while Wet Willy and Flameboy once earned lucrative dollar bills from soccer-mom purses, such gateway graphics hooked several generations’ worth of minimum-wage paycheck earners who later would seek out socks emblazoned with weed leafs and several varieties of T-shirts that explain the veritable black holes of society from which the wearer, now more affluent and bejeweled, once had emerged.

With the notable exceptions of Rocco-sanctioned Wu-Tang album cover riffs, one-off series bowing to the continued influence of professional firepole navigators or the fleshy urethane peddled by the double entendring Hubba Wheels, lust is perhaps among the least-celebrated cardinal sin when set up against the various drill fights, junk-food odes, thirst for bling, militant anti-jealousy campaigns, and strategic piling-out plans, yet there may be plausible arguments that it or one of its derivatives underlies every ledge crooked and nearly all 360s flipped.

Does it reflect lingering prepubescent discomfits or fear of some phantom parent peering over our collective shoulder that Hook-Ups couldn’t make the post-millennial transition, that Stance magazine’s Maxim-aping spreads went unsubscribed to, that Big Brother bizarrely became more family-friendly under the watchful eye of Larry Flint? Are there alternative explanations for the general collar-tugging and furrowed brows prompted by the adult situations featured within Dylan Rieder’s wingtip commercial for Huf this month, which left some viewers breathless and others vaguely panicked, like being caught late at night surveying the more risque precincts of their parents’ vinyl collections?

Dylan Rieder makes a certain subset of his potential customer base self-conscious and frustrated, and rightly so. He has the luxury of turning in Street League runs that come off more like a half-demo, half-commentary on the point-stacking repertoires of Chaz Ortiz and Nyjah Huston; as transcribed within this spring’s immediate classic “Cherry,” his 360 flips, switch kickflips and backside smith grinds are worthy for consideration as works of art. Perhaps seeking inspiration within dog-eared months of Supreme’s early aughts calendars, Dylan Rieder with his shoe commercial seems to have redirected the rhetorical query to his railside admirer in “Cherry” toward the viewing populace at large, with one of the era’s great switch backside kickflips floated in place of a question mark.

Others unearth darker tones to these primal urges. Bronze Hardware Company already demonstrated globally that it owns computers capable of making the best video clips. Yet in Bronze’s latest offering, affectionately titled “Enrons,” Joseph Delgado’s latest Flushing ledge ticklers, an alternate take on the subway gap ollie and an obvious contender for video part of the year from hardflip lifter Jordan Trahan come spiced with smouldering gazes from hair-tossing and moistened vixens, simulated and/or animated mature acts as well as high definition video camera footage. It is obviously an exclusive video, yet Bronze also pays tribute to the wages of death and dismemberment explored in onetime movies made by clothing maker XYZ several decades ago.

Is the latest Bronze video file truly actually an elaborate metaphor the exhibitionism rampant in today’s extreme sporting industry, and the self-inflicted gunshot clip near the end a Ouija-like premonition of Pacific Vector Holdings’ game-over bankruptcy filing that was then yet to come? Is it solely a matter of days and/or weeks before Alex Olson ups the fleshy ante with clips of unclothed, poorly lit men festooning Bianca Chandon web promos? Would this be biting Pontus Alv’s post-Cliche time in the wilderness? Was Nelly right? Will the inevitable skate video parental rating system top out with 56K, and will Ian Reid ultimately mount a legal challenge that rises to the Supreme Court?

Gino Iannucci’s Most-Productive 14 Months Ever, And Other Assorted Notes On 2013

January 5, 2014

gino1foot

2013 fucked around and turned out to be a banner year footage-wise for Long Islander and long weekender Gino Iannucci, doing a mini-Beyonce with a quick minute of mostly-park footage uploaded without warning Christmas Eve by hardworking Brick Harbour elves. Pinning down Gino when he’s on his board doesn’t seem to have gotten much easier over the years, despite his willingness to wax nostalgic on video about train station parking lots, but if you put this footage together with his tricks from ‘Pretty Sweet’ plus the inexplicably trimmed extra footage you’d have a nearly three-minute section that would readily accommodate a Mathematics instrumental.

10 Other Video Parts

-Derm – ‘In Crust We Trust’
One of the oblique thrills of marking time via local scene videos jockeying for YouTube chart positioning is that you may or may not ever see any of the dudes again, or, you might. It’s an open question as to whether Eric Dermond desires or will have any type of ‘career’ in the industry but his section in the enjoyably grimy “In Crust We Trust” felt like watching “Subzero” era Fred Gall skating “Inhabitants” era Fred Gall spots, topped with a nicely bone-crushing slam.
-Kyle Walker – ‘In Color’
-Mark Suciu – ‘Philadelphia’
-Jordan Trahan – ‘Boros to Bayous’
-Matt Nordness – ‘Hurry Up & Try’
The intro with the blocks is almost enough all by itself.
-Jake Donnelly – ‘Jake’s VX Mix’
-Evan Smith – ‘The Evan Smith Experience’
This one seems to have come and gone pretty quick, but Evan Smith loosened up his trucks and floored it and recorded a bunch of fairly heavy tricks for this.
-Lucas Puig – ‘Bon Voyage’
-Ben Raybourn – ‘New Ground’
“Horse pool”
-Cole Middleton – ‘Video X’

phelpsslam

Thrasher: Have you ever exercised in your life?
Fred Gall: I started lifting weights a little bit to try to buff up when I thought I was going to jail.

-Thrasher Jan. 2014

The Rise of Coloured Pants
theotis_crooks
Increased embrace of shorter/smaller videos from the likes of Emerica, Nike and Habitat harkened back to certain early-90s practices that make current economic sense — the trend toward ever-larger teams and vague desires to recoup travel expenses via blockbuster video projects remain at odds with the general public’s tendency toward watching individual parts on Youtube and skipping back to watch specific tricks rather than whole parts. Meanwhile some of the wealthiest professionals, including Theotis Beasley, Ishod Wair and Nyjah Huston, participated in their own early-1990s style revival by sporting loudly coloured pants and in certain instances what appear to be swimming trunks, signaling a potential new front in the swag wars.