Posts Tagged ‘levitation’

Got To Give It Up… But To Yog-Sothoth Dudes?

September 16, 2018

It has been a big month for Gershon Mosley, one of the unlikelier phrases one may expect to read in 2018, year of the dawg. But there he is, pumping footage on IG, pontificating on Mark Suciu and Chris Joslin and Jason Lee with Jenkem, chopping it up with the Nine Club on the factors and feelings behind his fade from the industry round about a decade back. To hear him tell it, leaving behind a professional career was a sacrifice worth making to keep his skating pure, and to loosen corporate reins chafing the soul of a spiritual wanderer:

GM: I left for multiple reasons. Part of it was my life. I couldn’t stay in San Jose when I left Santa Cruz. I couldn’t afford rent. Also, I wanted to get away from there because that’s where I spent so many years growing and the world is bigger.

I had to separate the art from the business. When people get mad, they’ll say, “Skateboarding sucks!” But it’s not skateboarding that sucks, it’s the business and politics of it that suck. We’re so self-centered and so lost in just wanting to do that thing, that we don’t see the bigger picture when we say that shit. I’ve heard so many people [say it] and they quit skating altogether. Some of them still have issues. They’re still ego based. But if nothing else, skateboarding should have destroyed the ego.

It’s nothing new to put the trick, the road trip, or even the after-hours lifestyle before one’s physical human body, or mental health, or academic pursuits. But the current adulting trend — positioning earthly pleasures, financial gains and even the proverbial good times with the hemmies behind skating’s fishscale purity, with sometimes a dash of careerism — remains in full swing. Two-thirds of the interviews in the October Thrasher extol the virtues of a sober lifestyle; cover man Brandon Westgate again details the rustic charms of his dirt-under-fingernails lifestyle on da cranberry bog, fixing machinery and popping mad crans. Across the Atlantic Ocean, over centuries renowned for its depth and waves, Max Geronzi, among this generation’s most naturally gifted Frenchmen, is putting a prime period of popsicle-shape filming to the side while he inexplicably engages in a longterm engagement with a retro shaped board that appears free of any concave but nonetheless capable of lofty kickflips.

All such trade-offs possess their own merits and potential pitfalls, ranging from limitless riches to spitting out scurvy-rotted molars while starving to death in gaol. Yet in Canada, a darker practice seems to have taken hold. A thick and putrid whiff of the occult emanates from this year’s Dime Glory Challenge, kicked off with what appeared to be a clique of berobed pagans toting a baby, which promptly was elevated up toward the warehouse ceiling in what can only be assume to have been a gnarly and unspeakable ritual geared toward hyping up Azathoth, Shub-Niggurath and various other Great Old Ones. None dare call it coincidence — that World Champion of Skateboarding Wade Desarmo casually slew one of his several minions just ahead of what was anticipated to be the strongest challenge ever to the belt by one Ishod Wair… who would unluckily roll his ankle on the Wallride ChallengeTM shortly before the most important game of SKATE of his lifetime.

Is human sacrifice what’s hot in the streets of Montreal? Will Miskatonic University replace real-estate speculation as the extracurricular path of choice for aging pros looking to augment on-board professional prospects? Did the Dime dudes get that baby down? Will skateboarding’s notoriously rapid generational churn soon spur a backlash against sober, thoughtful life choices, and bring about a new era of ‘hammer’ tricks, illegitimate children and unpaid debt?

Once Upon A Time I Think I Didn’t Hate the Band MGMT

August 6, 2009

g-forceyaheard
Joey Brezinski leads a scrappy team of crime-fighting guinea pigs in the outrageous animated adventure “Right Foot Forward”

I’ve been a Joey Brezinski fan but sometimes it’s hard. He’s always spinning around. So you really have to pay attention to know what’s going on in a general way. Plus I think he gets so mindbendlingly tech’ed out that he sometimes forgets how to execute your obligatory street pro tricks like the kickflip backside tailslide, and looks a little off when he does them.

So you can imagine my surprise when I put on this new Transworld video and discovered that Brezinski has gone back to the basics. Comparatively. By which I mean, the average length of combo-trick names in his “Right Foot Forward” section came in a bit lower than that of his recent Cliche video part, exhaustively chronicled earlier. He didn’t manage to crack the hallowed 15-word threshold, but did come pretty close at one point. Breakdown is as follows:

-Switch nose manual fakie bigspin manual drop-down to manual backside 180 out (12 words, 77 characters)
-Backside nosegrind shove-it to backside tailslide to fakie (8 words, 59 characters)
-Halfcab kickflip nose manual backside tailslide to fakie (8 words, 57 characters)
-Backside tailslide to fakie manual half-cab kickflip (7 words, 53 characters)
-Frontside noseslide nollie bigspin switch manual 180 (7 words, 53 characters)
-Halfcab noseslide to nose manual nollie heelflip (7 words, 48 characters)
-Half-cab kickflip manual revert half-cab kickflip (6 words, 50 characters)
-Frontside noseslide fakie manual bigspin kickflip (6 words, 50 characters)

Aural fatigue aside this is a pretty good effort from the manual madman and I kind of dig how he tries to grubby up his squeaky-clean manual act with some of those dingy wallride spots the youth* are so fond of these days. The simple(r) shit was good too, like the backside 5-0 to switch f/s crooked grind and the backside double flip, and that zany powerslide move turned out far better than it probably should have.

*no, no, no