Summertime Mixtape Vol. 9 — Jimmy Lannon, ‘Shaqueefa Mixtape Vol. 3’

Among Florida’s perspiring alleyways and crumbling stuccos, what makes a man? If your response included a fire hydrant, switchstance manuals, nollie flips and floral prints, you may be due an assortment of flow-program Lakais. Achieving true bucket-hat lord status, such that Jimmy Lannon enjoys, requires something more — switch backside 360ing on a bank, maybe, hopping an alligator, for sure. May this dude’s golden shirt-to-pants size ratio never waver, may all hydrants shrink before him, and may his bushings cushion each moss-encrusted tropical brick that comes beneath his wheels. 

#POWERSLIDEWATCH2013 b/w “Like Red Meat To Starving Wolfs”

Though fetishized and taken to strange new places in recent years by Frenchmen, the powerslide, much like its close cousin in the mid-line revert so derided by Ricky Oyola, is at its best when spontaneously and sparingly sprinkled. The annals of history bear beloved black markings from marquee powerslides such as Rob Welsh’s backside skid down the SF hills in “Free Your Mind” and lengthier frontside ones rassled by Dennis Busenitz in “Roll Forever,” and whispered “what ifs” will forever trail Guy Mariano’s turnaround at LA High in “Mouse.” Busenitz more decisively combines the two for what will be one of the year’s better-remembered powerslide/revert type moves in this new Adidas Madrid clip, viewable around 5:48, shortly before a really cool step-down ledge trick. This clip is also notable for the most actual Mark Gonzales skate footage in one place in about several years and for deepening Mark Suciu’s typecasting as a perpetual video clip getter to whom varial heelflips come as easily as an ollie, or weed leaf emblems to mid-length socks.

On a related note, watch this space in the future for a half-baked ramble on how Adidas’ geographically oriented team clips are the new Transworld videos, dropping with the regularity of a semi-working clock with solid, if formulaic, production values, a similar devotion to indie rock staples and a steady supply of quality skating.

Leo Valls Takes Advantage Of A Hurricane To Make A Case For The Continued Relevance Of Tail Devils, Grappling Hooks

The kindest gift that Paul Rodriguez ever bestowed upon the industry was making switch 360 flips down double sets look not-really-trying casual. Upping the ante in one’s mid-teens to not only top-drawer difficulty but seeming no-sweat execution put a fresh floor under tricks that pushed boundaries and set the stage for a weird and wondrous era in which random YouTube kids compete with professionals for unique page views and thumbs-up identifiers. It also enabled dudes who aren’t up to switch backside noseblunting handrails to differentiate on metrics such as speed, aesthetics, geography, or wearing suspenders. French cobblestone ticklers Magenta have based their whole deal on agility and architecture without fussing a great deal over filling up their tech/gnar power meters, pumping out a stream of sliding- and pushing-packed vids that have refreshed and divided the populace in ways similar to the Stereo videos of yore, except with more Wu-Tang Clan.

Making a New York vid probably has been on these dudes’ list as long as the Los Angeles schoolyards were for the Palace guys, and watching their new ‘Panic in Gotham’ clip you get a sense of the zest with which they screeched their wheels across these hallowed streets, even if most of the marquee spots were disregarded in favor of jumping whatever benches and bars they ran across. New York long has been associated with chutzpah and some balls are helpful if you aim to insert clips of flatground shove-its or a repeat of one of those one-footed slider moves, but this raises interesting questions around the role of these caffeinated French purists, and tricks like Leo Valls’ tail-skid to slappy noseslide.

Are the Magenta bros in their tightly fished, powerslide-mining fashion pushing as much innovation as the likes of Corey Kennedy or Torey Pudwill working over a DIY parking block ledge? Would their efforts be classified as ‘lateral’ progression, devolution or some as-yet unknown direction? Is there room for Magenta as a hardgood manufacturer to differentiate on products amenable to their styles of scooching and spinning, like ceramic wheels or tailguards? Could Magenta and Nissan collab on an environmentally friendly grappling hook that enables urban skaters to hook a ride on a low-emission vehicle?

Mayan Calendar Fail And Some Other Notes From The Year That Was

Ten more parts
-Austyn Gillette – “Unlimited”
This dude’s footage always is worth checking for — switch backside flip at the end had the craziest catch.
-Keelan Dadd – “Parental Advisory”
-Russ Milligan – “Business As Usual”
I think Russ Milligan at this point may be destined to go down as criminally overlooked, but it’s good he’s found a niche in SF.
-Forrest Edwards – “Wild Power”
-Nate Broussard – “Secondhand Stoke”
Somebody could make a case on how this dude’s languid style and focus on simple tricks might’ve helped refocus Dylan Rieder in his evolution toward the Gravis part.
-Ross Norman – “Civilized”
Ross Norman slayed in “Last of the Mohicans” a few years ago and he’s apparently been putting in time at his own personal Love Park. The heather-gray crew-neck sweatshirt is overdue for a comeback.
-Gilbert Crockett – “Cellout”
-Conor Champion – “3Hunna”
Attention video makers, the farther “Carter 2” fades in the rear-view mirror, so does the bar grow higher for any use of Dwayne Carter music in parts. Ponder this as we take in Conor Champion’s huge switch backside tailslide.
-Brian Peacock – “DC China”
-Adrian Vega – “Outdated”
No super-secret recipe here, just clean tricks at good spots and a brassy song.

What is the over-under on how many months will pass before Mark Suciu is rated pro?

Just curious, the stance here is obvious. There was this one too.

Ten shared parts/promos
-Alien Workshop – “Cinematographer”
If they would’ve sold this part alone via Itunes for $4.99 I think they might have been able to keep AVE in Dapper Dan for decades. Companies should think about devoting their resources toward pumping out well-produced smaller projects like this every year or so, versus these five-year global slogs that wind up relegating half the dudes’ footage to a bonus reel most people will watch twice. Jake Johnson’s nollie wallride here is the real deal.
-Adidas – “New York City”
Adidas and Dan Wolfe have been making the best tour clips out for some time now and this ranks at the top of the stack, up there with the Greece one. Pete Eldridge’s loosey bought him a ticket to years’ worth of message-board dissertations on style.
-Politic – “Introducing”
–“Ordos”
These vids that offer peaks into weird crannies of the world are super worthwhile.
-Polar – “No Complies & Wallrides+shuvits”
-Palace – “N***** WIT ALTITUDE”
-Tim & Eric – “Secondhand Stoke”
Helping hand on the front flip warms the heart
-Dennis Busenitz/Real team – “Cinematographer”
-Bobby Worrest, Daniel Kim & Tim McDermott – “Stop Fakin 2”
Worrest, lines at Pulaski
-Lucas Puig & Co. – “Adidas roadtrip”
The red hat and those cement boobs got a lotta mileage this year. Between Cliche and Adidas and those blue shorts, is Lucas Puig officially the most Euro pro out?
-Magenta – “Hill Street Blues 2”

The rise of Riley Hawk

It has been interesting to track Riley Hawk’s come-up these past few years and his moves. Flying the Birdhouse coop and farming his hair and scumstache under the Baker banner was one thing but all the footage done recently is another, he’s got an interesting take on the heelflip and he’s moved onto a bigger canvas from the ledge combos that got him on the radar a few years ago. This one is my favorite among the several sections he made this year.

A re-re-rise of Tom Penny
Tom Penny footage these days is a crap shoot, but this brand-new clip from the DC “Embassy” park is the best in quite a while. There is still some magic in those feet, between the switch nosegrind, switch frontside flip and ollie impossible.

The Medium-Sized MNC Star T-Shirt Is The Message Dudes

Quartersnacks the other day posted up this deep dive into Sect adherent Jake Johnson who sounds like he’s spent the better part of the last year pondering ponderous thoughts on a skate-oriented pilgrimage to Pittsburgh as part of a broader effort to reconnect with his inner dirtball. One of Jake Johnson’s ponders involves the “message” that underlies skateboarding, a potent smoothie of rebellion, aggression, creativity, pain and escapism, some of which might be lost on a generation coming up with parks aplenty and tweet-ready reality idols straddling the primetime viewing hour. There’s a separate message though for which Jake Johnson feels more personal responsibility, transmogrifying his board into a ball-point pen and the streets to an 8.5×11″ piece of white printer paper:

“My sponsors give me a lot of freedom. For the most part, they understand that me developing a concept, message, and my style of skating is the most important thing for their company. They’re willing to do whatever it takes for me to skate my best, and they trust me that I know how to do that. A lot of companies don’t.”

The comment (and whole interview really) signal that Jake Johnson found an early grasp on what somebody can do with the career opportunity he was handed, and seems to be thinking hard about what he wants to do with it. Who else thinks in terms of this “message” thing? I think Leo Valls and the “Night Prowler” guys definitely have an aesthetic that they’re looking to explore with their skating, built on what Ricky Oyola and Bob Puleo developed, a sorta homesteading purity for the streets. When Jamie Thomas cued up that clip of himself skating over that bridge in Chicago at the beginning of his “Welcome To Hell” section I think he had an idea he wanted to get across, same with Jim Greco and Stevie Williams a couple years later. Jason Dill is a dude who you can imagine looks at his message as a malleable and mutating thing. Mike Vallely’s career arc cast him into a spot now where you could say that “message” is a large portion of what he puts out.

There’s some comments made in the (too) long-gestating “Epicly Later’d” on Menace along the lines that Pupecki, Valdes, Suriel et al were at the time some assortment of castoffs and misfits corralled by Kareem Campbell to fill out his allotted corner of the Rocco empire. Maybe that’s partly true, but you gotta think that the mastermind behind our still-beloved “mNc” star logo had his own type of message in mind, having to do with communicating through vaguely scary hand-signals and 360 flipping through sidewalk cafes.

2. Jimmy Lannon – “The Dango Is Dead”

For my money the best nose-manualer working, Jimmy Lannon flows like a sweated up baggy t-shirt and mines the seam of inner-city bar-jumping to greater effect in the airier Florida zone, where he seems content to blast ollies all day long and sometimes balance on his front truck. If you boiled it down to a list of tricks this part in someone else’s hands might be some stony/soul moment but Jimmy Lannon’s view is more aggressive, short pants be damned. Ledge tricks cribbed from the old Mariano playbook and some of the best cheering sections captured on digital video this year (the nighttime line guys look like extras from one of RB Umali’s revisitations). Congratulate Jimmy Lannon for staying good and landing on the Magenta board company which posted up another mini-part the other day that features a nice switch backside bigspin out of a curb cut.