Mystique is an amorphous, squishy thing, much like a color-changing cuttlefish or the nature of life itself. Yet if you can only attain it, the door stands open to early retirement, coasting on lifestyle ads and occasional blog photo appearances, minimal footage obligations if any and the giddy thrill of knowing that somewhere out there, an internet forum post is being crafted: “when is ___ gonna put out another part” translates to higher board sales than “does anybody know what’s up with ___ lately?” with both ranking above “anybody remember ___?” or the dreaded “___ denied parole again LOL”
Of course it is easier to establish said mystique if you’re some typa well-known 90s-bred style wizard (Iannucci, Stranger), a generalized misfit weirdo (Martin, Alv), or a flagrant breaker of state or federal laws. Far tougher if you’re some middling front-blunt-to-5-0er in black shoes w/white soles without great push or a nose tattoo.
Worse yet, you are a young flow-bro on the come-up in an age of instant judgment and sentencing via YouTube: message boards pore over the minutiae of park footage trick selection, SPoT profiles are tracked for sponsor switches and the Berrics transforms today’s pre-fab park hero into tomorrow’s factory-direct wunderkind. By the time kids “go am”* they’re generally vets by the internet exposure benchmark, and any sense of mystique probably long wafted away.
Emerica’s Marquis Preston is one of these increasingly rare exceptions**, with a relatively small number of photos prior to this month’s Paul Rodriguez TSM appearance and paltry seconds’ worth of footage scattered across contest, demo and “Stay Gold” clips – the intro to his magazine interview directs people to this six-second clip as a starting point, but indications are that some of the anticipation may be justified. Foot swag through the roof, as the fella says, there’s a few more tricks here on the off chance you haven’t seen all this shit already.
*an actual expression I guess
**Ishod Wair may be nominated as another