Posts Tagged ‘Palace’

Summer of Good Vibes

August 21, 2017

The heady daytimes of midsummer were made for growing green things, construction projects and loving refurbishments, laying supplies and fortifications for the long winter nights ahead. What with its rolling papers and noon wakeups, skateboarding leans toward the lazily fiddling, devil-may-care grasshopper in the tale of old, or perhaps a chaotic Fraggle. But the bold ant, in its levelheaded industriousness and generous way, can provide an alternate insect avatar, and skating must never overlook the rebuildatory tendencies of the lowly Doozer. Half-submerged in a midsummer night’s dream of positive vibes, Bowl The Ocean site examines three visions of a world that is not yet the future, but could be.

Clint and Reef, Ollie Men: Since time’s beginning, skateboarders of all stripes have celebrated that singular and uniting thrill, the big jump. Even so, one of the biggest ollies of recent years has sown division. After dueling ollies down the Wilshire 15 and over the yellow poles (implanted for pure gnarlieness enhancement) appeared last year on the Instagram pages of Birdhouse bad boy Clint Walker and FA-affiliated ATLien Reef Johnson, Jenkem magazine probed the backstory — whereas Clint Walker had tamed the massive gap and sat on the photo in hopes of bagging Thrasher’s cover, comer-upper Shareef Grady unknowingly did the same ollie and, over Clint Walker’s career-minded protestations, they both wound up pushing their tricks to the socializing internet masses to get what shine they could. The scenario was a debacle made possible by a unique fender-bender involving old and new media, and though few hard feelings were aired publicly, nobody seemed satisfied with the outcome, which also had the effect of clouding a legitimately heavy trick.

This year, Jason Hernandez is videotaping Clint Walker and the rest of Tony Hawk’s brood for what’s being billed as ‘The End’ for a new generation. Clint Walker, who has nollie heelflipped atop bone-crushing canyons and conquered fear itself, will have an assuredly crazy part. But what about that one ollie, now loaded with so much baggage? An old caveman saying from the planet’s spryer years holds that ‘the crazy thing about baggage is that it’s lighter when a friend helps carry the load,’ and the statement never was truer than when applied to the Birdhouse video in progress. Imagine a break in the middle of Clint Walker’s section where he rolls up to the Wilshire 15 and Poles, then it cuts to him jumping it, but the camera keeps rolling and then Yung Reef comes right behind him and jumps it too, riding out into a torrent of bro hugs and high fives. The vibes would runneth over.

Lakai Collabo Matchup: Even upon opening a new chapter with a winning full-length built around mostly new faces, storied shoe group Lakai faces turbulence, over the past month reportedly having to send back and reprint all physical DVD copies on some music rights shit and Fort Miley burler Jon Sciano leaving, apparently to skate for Vans. Amid Lakai’s various high-profile team defections over the last few years, Blackpooler Danny Brady has held tight, getting a shoe design recently for his efforts.

Lakai’s collaborative shoe projects have run an extremely varied gamut of partners, from culture warrior Lena Dunham to certain Wild Things to further investments in pastel paneling via several sneakers colored by Illegal Civilization person Nico Hiraga. But the Danny Brady link provides a lane for Mike Carroll and Rick Howard to potentially something together with Palace, which has made deluxely curated bathrobes and swishy shirts with any number of mega sports gear manufacturers such as Adidas and Umbro and Reebok. Palace’s teaming with Bronze helped elevate the New York bolt factory to a sought-after street fashion sensation. A similar project could further invigorate Lakai and keep Danny Brady shod on his current productive path.

Brian Wenning For Hire: For those fumbling toward some nightlight amid dark hours of the soul this summer, Brian Wenning’s recent podcast unburdenings have left DNA Distribution devotees of a certain vintage aglow. By all accounts, Brian Wenning reached the bottom of his own self-fulfilling prophecy and a humble halfway-house rebuild seemingly has done wonders for his self-regard, career reassessment and, importantly, his switch backside nosegrinds. Slimmed down and again in DCs, Brian Wenning is starting to look like he never went anywhere, venturing back onto the road and appearing to deeply enjoy himself.

His could be a feel-good summertime story, especially as Habitat prepares to reissue one of his OG graphics in what looks like a tribute to clamoring back onto life’s board. But Al Davis, another former Habitater asked and answered what must be the ultimate question in the matter: ‘PUT HIM BACK ON!!!!’

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4. Jamal Smith – ‘V Nice’

December 28, 2016

Palace’s ‘V Nice,’ documenting some Los Angelean residence by the famed swishy short manufacturer, arrived like a heady midsummer night fever dream, one where Lucien Clark had a part in Trilogy and Danny Brady seized control of an anti-aging serum that also contained plans for as-yet unfathomed bank-to-bench moves at Lockwood. Whether or not Jamal Smith’s powers to go viral have obscured over the years his excellent skating is a debate for podcasts yet to come, though only after flavored soda waters have been sipped empty and the clock has passed the 45-minute mark. Currently, it seems clear that Jamal Smith is among the most inventive minds working in the frontside shove-it medium; in ‘V Nice’ he is hitting PJ Ladd levels over the Santa Monica sand gaps and pushing one of the grimier switch 360 flips on the market. And his grinds sound good.

Big Shoes Small Boards

June 19, 2016

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There are some queries that must be considered as the ultimate questions of the time. Is it really what it is? Do gentlemen really prefer brunettes? What is the sound of one hand clapping? Do Gs get to go to heaven? If you couldn’t see the sun rising off the shore of Thailand would you ride then if I wasn’t driving? Has We The Best Season returned? Are you new around here or something man?

In our current big-footwear era of skateboarding, one question goes like this: Do international shoe manufacturers prefer small board companies? You sort of wonder. As Palace and Adidas and Skate Mental and Nike respectively grow cuddlier in the process of producing product lines, fewer such efforts appear to invite the creative hive-minds powering the likes of Element, Flip, Plan B and Zoo York to apply their MS Paint sorcery to established shoe-wall sellers. Meanwhile, the fingerprints of publicly traded footwear conglomerates increasingly seem to smudge the smartphone screens of board-company team managers:

Jamie Thomas: we bent over backwards for trevor for years. all was good, but as we were working with him on his boards, we started hearing that Nike was encouraging him to ride for skate mental because supposedly it would help his situation at Nike; Even though his graphics were done and his pro board was scheduled to be released in 2 months, he hit me up and said thanks for everything, but I’m gonna ride for Skate Mental.

Mike Carroll: Remember with Karsten [Kleppan], when we put out the intro to Lakai video part and then a week later Karsten got on Nike? It’s just like, what the fuck. And then that (Nike) dude Kaspar hit up Sam [Lakai’s Team Manager] and was like, “I know that Karsten’s off of Lakai now, but we want to get him off of Element. We want to get him on a cool company, would you guys be down to sponsor him for Girl?” It’s like, are you that retarded?

Jenkem’s text-messaging theorist: Nike backing riders to ride for small board co’s or start up their own small start up’s to dilute the market with heaps of small brands so the main camps like crailtap, black box (now dwindle) can’t focus on their own shoe programs and have to put their time and resources into keeping their board co’s alive in an over saturated market. Leaving it to them, Cons and adidas which works perfectly because they all co-exist this way in every other sport.

Is ‘small board company’ the proper terminology tho? Of the current Nike skateboard team, about half (16/34) skate for what could be construed as a ‘small/startup’ board company. But it may be more instructive to examine multinational sporting gear manufacturers’ history when it comes to sponsoring dudes who skate for a board company that is affiliated with a ‘legacy’ skate shoe company. In 2007, Nike’s inaugural and unfairly maligned full-length ‘Nothing But the Truth’ included parts from six dudes (out of 22) whose deck sponsors also ran a competing shoe outfit. By the time 2011’s ‘SB Chronicles 1’ arrived, the number had declined to two out of eight; it was 2/7 for ‘Chronicles 2’ and Cory Kennedy was the only one in last year’s ‘Chronicles 3’. Of the 24 bros in ‘Away Days,’ one skates for a board company that also peddles shoes, and on the Converse skate team, it’s one of 13.

Why might a big giant shoe company like its skaters to promote smaller/newer/upstart board companies? The idea of Jenkem’s texting thinker has some logic to it, though the deck sponsor’s ‘marquee’ position as it relates to pros’ pocketbooks has long been on the wane relative to shoes, as former DNA Distribution ‘business guy’ Chris Carter pointed out five years ago. As far as resource drains go, at a time when Brian Wenning and Jereme Rogers are able to formulate heat-press ready artwork and online storefronts, while micro-brands such as Jim Greco’s Hammers and Jeremy Klein’s revived Hook-Ups are able to secure premium pricing on limited runs, the actual overhead of doing a board company could or should be relatively low, assuming that a generation of even top-drawer pros have become accustomed to slimmer signature-board paycheques.

Would encouraging pros away from board companies/distributorships that also run shoe companies make sense for the majors? The post-getting-on-Nike moves of Trevor Colden (Mystery –> Skate Mental) and Karsten Kleppan (Element –> Skate Mental) make you wonder, and of the current SB team, about one-third, from Paul Rodriguez to Koston/Guy to Gino Iannucci, have departed such board companies for startups with no affiliation over the years, for various reasons. A widening gap between the board sponsor and shoe sponsor as far as pay, travel capability and general influence would cement the shoe merchants’ first right of refusal when it comes to Instagram clips, tour edits and coveted under-deck sticker placement real estate, and enhance capabilities to promote uniform-like outfits readymade for sweeping up spilled popcorn after matinee showings of ‘Zootopia 2: Zoological Boogaloo.’

Or does all our convoluted and conspiracy-minded nail-gnawing overlook the razory principle of Occam, which in this case might be that upstart board companies are cooler now and, given board sponsors’ functional functions as image-drivers, asa shoe purveyour you’d want the dudes you sponsor to skate under a small company’s cooler halo? Would this suggest that international shoe enterprises are chipping away at some image-management role traditionally performed by agents, increasingly beloved of pro skaters thirsting for soda sponsorship dollaridoos, but a timeworn rival of sporting giants when contract negotiation time rolls around? Should sponsor-juggling skateboarders seek the council of Jay-Z, a wheelings-and-dealings man who has had a pro-model shoe for rapping, helped manage a team and wrangled deals for pro athletes, by signing up for his exclusive Tidal internet music streaming business? Could board companies take a page from shoe companies and start encouraging teamriders toward Tumblr- and BigCartel-empowered wheel groups? Does all this silly noise obscure the shadowy role of the premium-fit cotton t-shirt as the true and honest currency of the realm?

*Note: DC is considered affiliated with Plan B for our simple-minded purposes here

Ams Behaving Badly and The Struggle For Our Immortal Souls Dudes

January 9, 2016

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As the sleek and plush (if leased [and somehow less flavourful than the Honda Civics and cliff-bound Cadillacs of decades past]) Porsche that is skating’s motorvehicular avatar purrs into 2016, the dashbound is fruitlessly thumped again and again in a hapless bid to steady the jittery moral compass mounted somewhere south of the cracked rear view and fuzzy dice. Turmoil abounds. Tweenage inward heelflip lothario Baby Scumbag and self-styled switchstance deity Keelan Dadd stand accused of sexually exploiting a 12-year-old, drawing revulsion from all but their most loyal Instagram subscribers. Knox Godoy, that onetime Baker bidder for Billy Waldman status, assures Jenkem that a hybrid lifestyle of drug selling, professional chefing and knocking over the odd Wal-Greens is preferred over the comparatively stressful elements of pro-level boardsmanship. Elsewhere there is an uneasy peace to be made with contractually obligated energy-drink hoisting, ‘name’ pros openly endorsing Drake material and Thrasher ringing in this uncertain new year by dabbling in emoticons.

Polarization and its closely related national pasttime, the culture war, seem bound to lay hooks into the skating sphere as it embarks upon a bold age in which a pro can be sacked for too-loose poo talk, while Andy Roy, noted degenerate, holds forth as a wizened confidant and adviser. Mythmaking and condemnation continue their two-decade waltz* around a film meditation on trading HIV status and various assaults while Lenny Kirk admonishes snitches and trafficks in Biblical morality from behind bars:

“A lot of Americans don’t know these things. They’re too caught up with fake tits and butts, plastic surgery, gay sex, drugs, and how to get God out of America. Obsessed with themselves. The flesh. Perverted, influenced by bimbo hoes with twisted minds and famous because of pornos. America is heading to Hell yet they don’t think so. Some try to make it as if homosexuals are normal people but it’s a lie, a deception. You’re not born that way! Men move from viewing pornography to homosexuality, to rape, to incest and to pedophilia… from one glass of wine to abusive alcoholism and from smoking marijuana to crack cocaine.”

As skating’s graying corporate checkhandlers steer it toward an Olympic status and the balance sheet replenishing endorsement largesse to follow, skaters must determine whether they continue cheering bad guys. The general public already had split over Palace’s prodigal ‘old New York’er Shawn Powers’ art career, jacket game and skating generally, but the gulf widened this week upon digital unearthing of a clip in which Shawn Powers forcefully liberated several lobsters before sending several toward an untimely and preemptive broiling via wall.

Shawn Powers’ shock-and-awe campaign upon these semi-suspecting lobsters drew widespread shrugs and condemnation in turn within the skating sphere and without, amid calls for Palace to cease his sponsorship, police to jail him and aquatic beings across the region to rise up in moistened vengeance.

Skating of course already has had a long and fraught relationship with lobsters, mainly manifested through footwear color schemes. Lobsters, despite their cuddly appearance and gregarious ways, are among the most enigmatic and threatening invertebrates of the time. Long rumoured to possess the secrets of immortality, they will feast upon the flesh and carapaces of their own kind, spreading dangerous bacteria wherever they scuttle and threatening the toes and, indeed, the very souls of the unwary:

These you may eat of all that are in the water: whatever in the water has fins and scales, whether in the seas or in the rivers—that you may eat…. Whatever in the water does not have fins or scales—that shall be an abomination to you. Leviticus 11:9, 12

Did Shawn Powers, possibly fresh off Chrome Ball Incident’s landmark Lennie Kirk post and a recent poll that voted God most likely to destroy humanity, simply seek to look out for immortal souls generally and avoid potential abominations by the best means possible? Would lobsters rather die briefly free on the pavement than live doomed behind glass? Dad-a-cham? Dum-a-chum? How does this clip not go in the next Bronze vid? What would Andy Roy do?

3. Danny Brady – ‘Definitely Brady’

December 28, 2013

Danny Brady to Palace was one of those soundly logical, hand-in-glove industry happenings that helped maintain some sense of normalcy and balance in a year otherwise characterized by seismic team-jumps and resignations, and this part, which is probably Danny Brady’s best in several years, did double-duty washing away the awkward weirdness which is Blueprint’s current Canada-by-way-of-Arizona iteration. Brady’s fakie game, now cemented firmly cemented among the pantheon of veteran devotees such as Clyde Singleton and Terry Kennedy, is in top form here, like on the bank-to-ledge tailslide kickflip, and the relative frequency of clips without a hat implies a new level of comfort and trust in his Palace bros and bosses. The line with the backside tailslide to fakie needed only the cub scout cap to a ‘Lost & Found’ clip.

In Which A Recent Krew Video Inspires Us To Tally Up Some All-Time Lords Of The Bucket-Hat

March 20, 2013

MINNOW-1

They say history is written by the victors, and when it comes to rewriting certain chapters, or revitalizing them for the purposes of revivalism, maybe we say the past is best remembered by those popping bottles and making it rain in the club at any given point in time. Current bottle-popper and kickflip backside noseblunter Lucien Clarke remains among the hottest ‘boarders out of London and as an employee of Palace possesses the subcultural capital to deploy for the purposes of making his mark on the scene, whatever it and that may be. So it is that this meaty clip released last week by Krew clothes documents his daring decision to get behind the bucket-hat, that vestige of late 1990s fashion long since wadded up in the fist of time and used to clobber some smaller, clumsier dimension for forgetting to stoke the rescue fire.

A Palace-branded white button-up that a waiter or Dylan Rieder might wear commands a $200 asking price on Ebay, giving the company and its team-riders gravitas in the accessorizing game, and doubling down on the bucket-hat is in keeping with prior Menace-aping efforts. But are Lucien Clarke’s shoulders broad enough to pick up and carry forward the bucket hat’s noble legacy? Here is a look back at some of its esteemed practitioners throughout the hat’s golden age.

Andrew Reynolds: The Boss is an obvious influence on Lucien Clarke’s massive nollie backside kickflips, and during his Birdhouse-moppet era a bucket-hat held down Reynolds’ locks as he launched himself down gaps and rails in “The End.” The fact that his hairdo looked sort of like a bowl cut only adds to the mystique and credibility of the hat.

Jason Dill: Probably run more as a novelty item that completed a Dr. Hunter S Thompson ensemble for a brief juice-sipping clip that featured in TWS’ “Feedback”, Dill’s foray came early in his deep dive into alternative fashion that would lead many an impressionable youngster down the proverbial garden path throughout the ’00s. You get the sense that Jason Dill probably was not that invested in the hat necessarily, but it’s interesting to ponder how he currently views its place in the world, and whether he agrees with Lucien Clarke that it is ripe for revisiting.

Chad Fernandez: Even before Chad Fernandez was drawn into a verbal sparring match with an unpaid tween amateur he gave the impression that he had something more to prove than other pros, which is maybe why in retrospect he seemed more invested in the hat when rewatching clips like his part in Osiris’ “The Storm.” A decade later Chad Fernandez has shifted to beanies for this 2011 part that features some genuinely out of hand stuff like the ollie up to crooked grind at the beloved bench-to-stair spot, a nosegrind on the rail recently wooed by Sean Malto in the Girl/Chocolate video and a high-speed one footer.

Ronnie Creager: The lord of positive vibrations was an equal opportunity endorser of headware in videos such as Es’ “Menikmati”, in which Ronnie Creager managed not to succumb to the pressure of conceptualizing a lengthy, autobiographical intro that may have featured costumes. Of all those mentioned on this brief list, the desert-dwelling Creager may today have the most legit claim to wearing a bucket-hat in the course of his current day to day, which could also involve golf and checking in on Easter Egg packages that may lie around the Southern California region unclaimed for fifteen years.

The All-Seeing Eye

January 8, 2013

One imagines the invisible hand of Adam Smith guiding the DC-ringed hand of Rob Dyrdek in bringing together this Alien Workshop/Century Optics collaboration on a fisheye lens designed for iPhones, further diversifying that perennial acquisition target away from skateboard decks and its array of bath-time offerings such as soap and towels. As Alien’s spirit guide, lead vocalist, mariachi band liaison and general-purpose mascot on last year’s winning KOTR bid, Omar Salazar is a worthwhile one to endorse this product offering, but you wonder if it was an overflow of merchant-marine ink that maybe kept Gilbert Crockett out of the running, as a dude who already has had a hand in filming a whole video shot on cell phone cameras. Maybe Century Optics feared being on the receiving end of hand-made prototypes for telephoto lenses? Will the industry’s next video camera collaboration see Palace link up with JVC?

The GR-AXM18US also includes a combination of 11 built-in digital special effects and wipes/fades that allow you to give your videos a polished, professional look

Mayan Calendar Fail And Some Other Notes From The Year That Was

January 2, 2013

Ten more parts
-Austyn Gillette – “Unlimited”
Something about Austyn Gillette’s riding will probably always be not my thing, but I’ll always check for his footage. Switch backside flip at the end had the craziest catch.
-Keelan Dadd – “Parental Advisory”
-Russ Milligan – “Business As Usual”
I think Russ Milligan at this point may be destined to go down as criminally overlooked, but it’s good he’s found a niche in SF.
-Forrest Edwards – “Wild Power”
-Nate Broussard – “Secondhand Stoke”
Somebody could make a case on how this dude’s languid style and focus on simple tricks might’ve helped refocus Dylan Rieder in his evolution toward the Gravis part.
-Ross Norman – “Civilized”
Ross Norman slayed in “Last of the Mohicans” a few years ago and he’s apparently been putting in time at his own personal Love Park. The heather-gray crew-neck sweatshirt is overdue for a comeback.
-Gilbert Crockett – “Cellout”
-Conor Champion – “3Hunna”
Attention video makers, the farther “Carter 2” fades in the rear-view mirror, so does the bar grow higher for any use of Dwayne Carter music in parts. Ponder this as we take in Conor Champion’s huge switch backside tailslide.
-Brian Peacock – “DC China”
-Adrian Vega – “Outdated”
No super-secret recipe here, just clean tricks at good spots and a brassy song.

What is the over-under on how many months will pass before Mark Suciu is rated pro?
suciu_love_ledge
Just curious, the stance here is obvious. There was this one too.

Ten shared parts/promos
-Alien Workshop – “Cinematographer”
If they would’ve sold this part alone via Itunes for $4.99 I think they might have been able to keep AVE in Dapper Dan for decades. Companies should think about devoting their resources toward pumping out well-produced smaller projects like this every year or so, versus these five-year global slogs that wind up relegating half the dudes’ footage to a bonus reel most people will watch twice. Jake Johnson’s nollie wallride here is the real deal.
-Adidas – “New York City”
Adidas and Dan Wolfe have been making the best tour clips out for some time now and this ranks at the top of the stack, up there with the Greece one. Pete Eldridge’s loosey bought him a ticket to years’ worth of message-board dissertations on style.
-Politic – “Introducing”
“Ordos”
These vids that offer peaks into weird crannies of the world are super worthwhile.
-Polar – “No Complies & Wallrides+shuvits”
-Palace – “N***** WIT ALTITUDE”
Love these guys, and the cameos are amazing, but white dudes throwing around the n-bomb is better suited to suburban tweens.
-Tim & Eric – “Secondhand Stoke”
Helping hand on the front flip warms the heart
-Dennis Busenitz/Real team – “Cinematographer”
-Bobby Worrest, Daniel Kim & Tim McDermott – “Stop Fakin 2”
Worrest, lines at Pulaski
-Lucas Puig & Co. – “Adidas roadtrip”
The red hat and those cement boobs got a lotta mileage this year. Between Cliche and Adidas and those blue shorts, is Lucas Puig officially the most Euro pro out?
-Magenta – “Hill Street Blues 2”

The rise of Riley Hawk

It has been interesting to track Riley Hawk’s come-up these past few years and his moves. Flying the Birdhouse coop and farming his hair and scumstache under the Baker banner was one thing but all the footage done recently is another, he’s got an interesting take on the heelflip and he’s moved onto a bigger canvas from the ledge combos that got him on the radar a few years ago. This one is my favorite among the several sections he made this year.

A re-rise of Tom Penny
Tom Penny footage these days is a crap shoot, but this brand-new clip from the DC “Embassy” park is the best in quite a while. There is still some magic in those feet, between the switch nosegrind, switch frontside flip and ollie impossible.

7. Rory Milanes – “City of Rats”

December 25, 2012

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In a tumultuous year for British skating, what with the mass exodus of the Blueprint roster and international monetary policymakers airing concerns around a potentially destabilizing bubble in Palace-branded asset prices, it fell to London stalwarts Slam City Skates to re-center the 2012 scene and Rory Milanes to deliver the closing argument. Rory Milanes did one of the best parts in 2010’s “This Time Tomorrow” and steps up here in decidedly U.K. fashion, kickflipping brick channels and wearing stripedy sweaters to properly downbeat music and overcast skies. Straight off the bat he spins a nollie twister across a street gap, skates some high ledges, has a beauty of a switch backside kickflip, full command of the frontside 180 fakie manual/5-0 and a danger poke over the final bump-to-bar. For me this section took a little while to sink in, given Rory Milanes’ tricks don’t hit with the bombast of a Chewy Cannon, but I think he comes in as a solid bridge to some of the best skating of the now-closed Blueprint chapter.

Head Cleaner

October 7, 2012

Probably it’s a good thing that after a half-decade’s worth of footwear purveyours collectively issuing the same half-dozen models adorned with various logos, and the seven-ply hot dog holding sway for at least three times that long, it is a plus that a subculture stretched thin by recession and embracing a certain amount of commoditization retains enough crankiness and spark to gnash message-board teeth over perceived biting. And so it is that we take heart in the internet tizzy fermented by the debut of Politic, which devotees of the “Static II” aesthetic immediately scrutinized over similarities to UK phenom Palace, what with their comparable names, repurposing of analog video machines, and triangular logos that come on t-shirts with a little version over the left breast zone and a big version on the back.

Some may call it ironic that for a subset whose pride in cellar doors, wallies, natural and/or abrupt transition and certain other unconventional landforms got it pasted as “creative” here and there now seems clearly to be eating its own tail, but there’s potentially a murkier kind of food chain being linked together here.* Palace came in for accolades from this and other quarters when it emerged as a synthesis of Silverstar, Illuminati and “Time Code” era AWS, transplanted to overcast U.K. backwaters and dubbed over on VHS tape. Politic’s initial look cribs from the same playbook and you could read in some nods to Blueprint circa “Lost & Found.” But whereas Palace a year or two into its run dialed the nostalgia-meter back to 1995 with a big, sloppy kiss to the Menace segment in “20-Shot Sequence,” Politic may be trying not to join Palace but to beat them in their golden-age tribute-payments, its supposed take-off on Palace itself a take-off on the World-led wave of logo swipes that pervaded the early 90s?

The invisible hand of the free market will determine whether domestic and international consumers will catch feelings over this episode, embiggen their hearts to allow room for competition in the subgroup or ultimately cast both into the vast sale pile that sits below the deck wall in the skate shop of the great beyond. What is not up for debate is that Steve Durante seemingly has a long-overdue professional model and the lure of new footage, in these longer and colder autumn days, that right there is enough to warm the cockles of even the most cold-hearted capitalist.

*Others would challenge this statement and say that the staters don’t have a good grasp on the actual definition of ironic, driving additional unique visitors to Dictionary.com.