Posts Tagged ‘pants’

7. Daniel Kim – ‘Spirit Quest’

December 25, 2016

‘Spirit Quest’ beat its 1:20:00 clock with moving mirages like Daniel Kim’s mindbending mirror wall-push sequence towards the beginning of this section, which takes a couple watches for slow-witted captains of windbag web blogs to fully comprehend. In a star-crossed year, Daniel Kim indulges a taste for exotic and enigmatic tricks that may never be as huggable as a hardflip or backside smith grind: Switch japan grabs, the pop-shove it nosegrind tailgrab and his barrier-clearing switch kickflip tailgrab mix Daniel Kim’s robust ‘Belly of the Beast’ tech with the type of cosmic syrup Jason Dill maybe was sipping when he conjured a 25-year-old coping trick on the cover of Thrasher in ‘Mindfield’-era Alien’s waning days. Few were those bringing wholly unthought of tricks to the table this year, with or without one white glove.

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In The Great Dice Game That Is The Skate Shoe Business, Gravis IVSK8 Wagered, Rolled And Lost

October 24, 2012

Winter arrived early this week for the action-goods provider Burton, as P&L discontent forced tough decisions at the top that abruptly left Nordic sweater Arto Saari, stylistic watchword Dylan Rieder and others shoe deal-less and set adrift on the ice floe that is free agency in the current economy, increasingly resembling a scene from one of the early, J Strickland-helmed Baker videos where a poor dude is rolling on the ground and groaning in super slow-mo. Is what it is and all involved are wished well, though things appear somewhat brighter for pro and am endorsers of Analog brand pants, who according to this press release will enjoy certain hand-holding procedures throughout this difficult period:

Regarding the Analog surf and skate teams, we will be working with each team rider individually on an exit plan to transition them out of the brand.

The gap in sponsorship largesse is expected to be felt most heavily by Southern California thrift-store proprietors, several leasing agents and various weed spots, while the hardgoods industry collectively contorts and careens as it attempts to financially nose manual through a global recession period. As consumers we lose out by way of a thinner selection of goods available for our paycheques and one less competitor to keep honest rival shoe sellers. Yet the untimely demise of Gravis’ “IVSK8” lineup could signal that a deeper and more troubling loss already be lurks elsewhere, buried among footnotes in the great balance sheet of our psyches.

Foisting another footwear choice on an oversaturated population, backed by a big snowboard concern and incorporating a rather on-the-nose identifier amounted to long odds facing the Gravis venture from the jump, but was the company’s true crime being too daring? The much-derided Dylan pro model and later loafer drew wide attention but by all accounts made relatively few sales when stacked against the various iterations of the half-dozen vulcanized templates that have domineered shop walls for what seems now like the better part of the last decade, possibly the longest span of time a shoe trend has held sway over a previously fickle subset of trend-hoppers.

In a time of war abroad and economic upheaval at home, have our shoe choices skewed too far toward the safe, familiar and disposable, virtually ensuring that even the likes of PJ Ladd cannot persuade us to spend freely on a technology-forward, expensive signature model? Did Gravis roam too far off the stylistic reservation without a properly tested avalanche transceiver? Or must we make conscious, tribal decisions to periodically embrace outlandish design silhouettes so as to maintain our group ‘edge’?

Rose-Coloured Glasses, Made In Philadelphia

August 1, 2011

Recently while aboard a luxury locomotive I gazed out the window to take in the urban decay and peacefully zoned out on the loading docks and warehouses, snapping to after realizing that it had been several minutes and probably it looked retarded to whatever secular co-passengers might’ve been paying attention. One of those increasingly seldom times when a person can still feel as though these pursuits might set them apart in some fundamental way from the rest of the whoevers, and coming on the heels of the pretty emotionally heavy Oyola “Later’ds,” casts Ricky/Bobby/Traffic and the rest in a whole different light.

I ask you, who but a truly cockeyed optimist looks for and sees potential for good times in a sea of crumbling concrete foundations and pissy public parks and disused traffic barriers? What sort of a person launches a hardgoods affair, in 2011, out of the east coast without Marc Ecko rhino pants money and with a full-time truck driving job? What sort of a person would professionally endorse this company? What sort of person devotes the last decade-plus to filming this stuff for unprofitable video enterprises? Does spot-seeking and those who live the attached lifestyle require a person to be naturally outfitted with rose-colored goggles, or are they earned like a samurai’s blade or a unicorn’s wish-granting powers?

Elsewhere on the east coast, Du Flocka Rant gives the children a reason to believe. (via quartersnacks)

One Woman’s Thoughts On Tilt Mode “Bonus Round”

August 23, 2009

woman_tv

“He makes a lot of dramatic faces when he lands”
“They have the weirdest songs on this video”
“Is he the midget from MTV?”
“When guys have big beards like that, do you have to shampoo them? It’s like having a bunch of pubic hairs on your face”
“He was eating Cheez-Its!”
“Is this video about guys skateboarding, or guys screwing around”
“This guy falls down a lot”
“That skateboard didn’t have any wheels? What?”
“What was that–it looked like he was puking some minty color?”
“Which one was that, wearing the Gucci shirt”
“Oh, they knocked over his drink, he looked like a homeless Santa Claus”
“What were all those things on his butt, gross”
“Are there synchronized skateboarding teams out there?”
“Well this guy is really hamming it up”
“Are you quoting me?”