It is an interesting time in the shove-it industry. Over the last several of years, it seemed like the shove-it was making a serious bid against the kickflip for market share over bumps-to-bars and cans, after the backside bigspin overpowered the backside kickflip in the ratio of victory-lap tricks. The recent indulgence in conventionally ‘ugly’ and ‘dad tricks’ even has found a place for the fakie frontside pop shove-it, among the least aesthetically pleasing forms. As skateboarders push out the walls to make things freer, fairer, less strictly hierarchical and more open, it is clear that the shove-it has benefited.
As a trick, the shove-it always has stood with a more utilitarian bearing than its chief rival, the kickflip. This is because the 180 degree rotation swaps the typically longer and wider nose with the shorter and sometimes more tapering tail, potentially altering the way you pop the next trick, what the next trick even will be, or any number of other butterfly-winged effects on the planet around us. A kickflip, or any of its fakie/switch/nollie versions, solely flips the board in place, leaving it in position to immediately be popped again in the pusher’s preferred position. One can kickflip a board, land and keep going, unhassled. The shove-it leaves the board in a different place, and perhaps, one’s mind as well.
Now comes Blake Norris, student of the old SF spots and gods, with a grab bag of a trick list — an inward heelflip lipslide, a blaster of a backside heelflip and a half-cab into the bloodthirstiest bank as yet unknowed by Milton Martinez. Between the China banks, the hills and a crazy one on Clipper, Blake Norris mid-line screeches a backside powerslide that quickly spins 90 degrees further into a shove-it, midway through a downhill line. For sure it’s cool to look at, as a trick, but it retains the shove-it’s purposefulness, moderating speed at the same time.
Could broader incorporation of powerslide shove-its into the ongoing hill-bomb wave, possibly elevated by the GX1000/Supreme axis, mount the shove-it’s most serious push yet to counter the kickflip? Who’s done a frontside powerslide shove-it? Speaking of shoves, will Blake Norris’ wallride nollie backside bigspin on the fence squeeze grudging approval from longtime detractors of the unfairly maligned bigspin varietal?
Mark Suciu seemed to lurk around every corner in 2012, roaming the map and riddling spots with very hard tricks before resurfacing every few weeks with yet another video clip, earning him favorable comparisons to Gucci Mane in his prime. In recent months Suciu has ripped downtown San Jose, Spain, the southern U.S., Philadelphia and most recently New York, finding a new way over the courthouse cliff en route to an Adidas paycheck. And this all came after setting off 2012 with a skateshop part that digs deep into a trove of well-worn spots to unearth some bar-lifting lines and certain yet-to-be-dones. Views can and will differ as to the tastefulness of frontside reverts out of backside noseblunts or frontside crooks, but Suciu proponents were handed piles of ammunition this year in favor of a rare talent that gets over without slavish retreads of coast-specific tricks on coast-specific spots, hands-off editing and (aside from a little wavy animation) no punchlines and no gimmicks when it comes to execution. Mark Suciu in the “Cross Continental” part shakes out a seemingly bottomless bag of tricks, including the little-seen switch frontside smith grind and an immaculate hardflip, and rolls below nighttime lights of skate capitals on both coasts as he composes a love letter to turn-of-the-century urban classics like “Photosynthesis” and “Ryde or Die Vol. 2” and possibly the first “EST.” It is rare that he passes up the chance to add a flip trick up a curb or a 180-out at the bottom of a bank, and he packs multiple variations on 360 flips and 360s into the same line, but it still doesn’t come off all egregious. I for sure watched this part more than any other one this year and maybe more than any other part in the last couple years, up there with Dylan Reider and Jake Donnelly.
Did yall see this one? P-Rod channels this blog website’s RSS feed into his preternaturally gifted feets and puts into action two of the recent mumblings, switch b/s tailsliding the Mission district’s 3-up-3-down and a pretty jaw-dropping commercial clip, smooshed together for the purpose of explaining Paul Rodriguez’ new alliance with Venture trucks. Whether this suggests Silver is on the block I have no idea, but all three tricks recorded for this clip are the type of top-drawer shit that makes Paul Rodriguez’s case for being one of the best skaters working, rather than just a dude who can do a lot of tricks. Could watch that SSBSTS over and over..
In a time of faster and bigger Jake Donnelly out in San Francisco has been quietly making a case for smarts and finesse, putting together a snappy flick with some spring and light-footed landings. All his recent footage suggests he’s got a knack for running some of the best looking tricks, like backside smith grinds on ledges, frontside blunts, nollie backside noseblunt slides, b/s tailslides of course, a good hardflip, et cetera. His part in the Real vid, which early on includes one of the more boss backside shifty kickflips put out lately, is not available for free via Youtube or whatever and really needs to be seen with the bouncy Too Short song to get the full impact, so pasted above is an Adidas clip made by Dan Wolfe that has a really high switch kickflip over a table and a good manual trick. (Note: link to this clip now here.) No doubt the Real part, red bottoms and pom-pom beanies and all, got me more motivated to skate than any other one I seen this year.
Watch Wisco kid Travis Erickson mine the San Francisco bay to concoct one of the more “urban” skate parts to be seen this year: Hanging onto moving vehicles, getting yelled at by passersby, skating a curb, switch frontside flips and 360 flips off natural bumps, a switch k-grind to regular, skating in a goddam backpack, sidestepping traffic, water on the lens, skating a truck bumper and truck trailer on nonconsecutive occasions, and a wallie. If you had a street skating bingo card this dude could win the George Webb gift certificate even without the free space and cellar door square.
When people apply that well-worn “robot” complaint to footage from the likes of Shane O’Neill and Paul Rodriguez my head tends to vaguely nod but when watching the footage itself this head-motion is usually replaced by the furrowing of brows in a vain attempt to grasp really why that is. Like how come Shane O’Neill doing a 360-flip noseslide nollie 270 heelflip out the hard way doesn’t stir me from the couch/computer chair, is it something to do with his arms, would it make a difference if he were taller, was not performing in a warehouse painted in neutral colors, etc. Maybe it is one of the galaxy’s great ungraspables, but all that type of confusion seems silly when you’re skipping backward on your first trip through the new Real video to watch Jake Donnelly’s section again and screw your face up (again) at how he takes the recoil on the switch heelflip over the schoolyard ledge and steps, or how he hangs onto the kickflip b/s tailslide down that orange hubba, or scootches to safety landing the screwed-up backside 180 over the railing. Additional thumbs up to the crack on the kickflip frontside tailslide and the switch f/s bigspin near the end, but probably the top compliment you could pay this section would be to acknowledge it prompted you to shut off a vid that still held unseen parts from Peter Ramondetta, Ishod Wair, Dennis Busenitz and Max Schaaf to go out and skate.
Now that everybody can do all tricks and caballerial kickflips are a prerequisite for post-roshambo strategy I kind of have no idea whether restraint as a concept is still in play. Probably not the time or the place to have the conversation about whether or not the bro going for the kickflip frontside blunt down the park handrail can do it consistently on a curb but maybe there’s some similar elements. Pretty sure that Spiderman explored some related themes of power and responsibility in his new off-broadway production, I think it’s called “U Do U And I’ll Do Me: Turn Off The Dark While I File This Workman’s Comp Claim On U” or something.
Speaking of responsibilities young Zoo Yorker Brandon Westgate has professionally designed footwear to sell and name recognition to build ahead of a potential retirement gig as an “extremely” informed home renovation specialist on HGTVX. Your more seasoned pro might get his companies to pony up for a mini-ramp jam in a strip club and let the blurred web-only footage do the heavy lifting, but instead you’ve got handyman Westgate continuing to push the old boulder uphill with a whole new video section after an teeth-rattling entry in the Emerica vid a couple months ago.
To me this one’s way better — half the length and zeroes in on the more dramatic aspects of his skating, bombing down those San Francisco hills like he’s riding a snowboard* and the ungodly pop up onto some of those bars. The run where he 50-50s the fence off of the sidewalk bump is the kind of clip you want to watch every day, all the time, one of those little slices of what skating is perfectly captured on a digital video-making machine. The nagging reservations I harboured around his sort-of weird-looking flip tricks in the past are basically washed away here with not a lot of complex moves — Quartersnacks and Platinum Seagulls are riding for the giant kickflip but over here I’m promoting the 360 flip over the rail that seems like a totally ridiculously long distance to launch that particular trick. Later on the ender quietly asks the world at large how much better they can do with the up-rail movement in 2011, the answer could be some time coming.
A lot like Anthony Van Engelen did 10 years ago and Henry Sanchez did before that, Andrew Allen’s market strategy relies in part on bringing a hairball ramp-dog mentality to switch backside tailslides and frontside k-grinds — out the gate here he reverse suplexes a rail (backside) and careens into a big angry hill that eventually decides not to play nice. The big backside flip into the bank, switch backside 5-0 the creamy colored ledge and the switch b/s tail down that sorta wavy hubba emphasizes Andrew Allen’s smooth and sensitive side, and by the end he comes off a little better with the hills. “Prevent This Tragedy” was one of the better videos of the year, hopefully Thrasher keeps this ball rolling.
Don’t know any particular reasons why Jack Curtin isn’t regarded as one of the heaviest dudes out there these last few years, or maybe I’m just not moving in the right circles, but his appearance in the LRG video this year validates the thesis and about half the part is total carnage in the most Smash-TV sense possible — switch backside 5-0 the Clipper ledge, switch backside nosegrind (and pop-out) into the Courthouse ledge drop, switch ollie SBN’s Bay Area wall, switch frontside blunt at the Pyramid ledge, and all those tricks on the Chinese block (the last one would come in around the top of any year-end list I’d do on specific tricks). Still among skating’s best-dressed and the onliest dude still wearing Muska pants in 2010, really pulling for more from Jackson Curtin in the coming DGK production.
Even without the Thrasher crown, whadda year for Dennis Busenitz – hitting three stripes’ worth of pro shoe paydirt, contest runs that won the Dew Tour of internet buzz, and a sizzler of a video part that ensured career elevation beyond a message board reign inherited from the likes of Bob Puleo and Gino Iannucci. The secret Busenitz sauce seems to lie in a frothy mixture of speed, unholy control and a supreme confidence that whatever those magic feet do next will work out for the best, and he pours it lavishly across this section the Adidas Europe vid, which he maybe got into by virtue of sharing a motherland with the Herzogenaurach-based outfit. Beyond the big-bounce ender the highlights I guess are the neck-high kickflip on the Ft. Miley hip, the no-push switch smith grind, that lengthy b/s nosegrind and his 180 switch k-grind that seems to stick right to the ledge. Not sure if this is the peak of what Dennis Busenitz can bring in terms of video-section heat but even if not it’s a pretty awesome placeholder ahead of the Real video.
boil the ocean 